#男人我手到擒来[超话]#
The underwater moon is the sky month, at present people are lovers.
海底月是天上月，眼前人是心上人If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you.
如果你活到100岁，我想比你多活一天，因为我离不开你。To the world you may be one person，but to one person you may be the world.
对于世界而言，你是一个人；但是对于某人，你是他的整个世界。
（看个ps教程成功把自己看晕了）
The underwater moon is the sky month, at present people are lovers.
海底月是天上月，眼前人是心上人If you live to be a hundred, I want to live to be a hundred minus one day, so I never have to live without you.
如果你活到100岁，我想比你多活一天，因为我离不开你。To the world you may be one person，but to one person you may be the world.
对于世界而言，你是一个人；但是对于某人，你是他的整个世界。
（看个ps教程成功把自己看晕了）
#早读##早读
从Rebecca Hall的新片Passing追去了解Harlem Renaissance
“Passing” is a drama of vision and of inner vision, of appearances and images and self-images, and Hall’s spare and reserved cinematic style serves to emphasize the inward aspect of the action, its crises of consciousness. Her finely textured, tensely poised compositions, filmed in black-and-white, render the drama of desperate desires and unspoken emotions in high and fervent relief. In sharply detailed yet allusive abstractions, Hall turns the Harlem of the nineteen-twenties into a stage of grand philosophical tragedy. Irene’s own reflections, both mental and visual, are joined to quietly imposing depictions of city life, including broodingly expressive views of the staccato rhythms of brownstone architecture and a series of tracking shots (on the Harlem street leading Irene and other characters to the Redfields’ town house) that recur onscreen like a musical motif. There’s also a literal musical motif, piano music composed and performed by Emahoy Tsegué-Maryam Guèbrou, that Hall uses to accompany yet another striking, recurring visual figure: sunlight seen through the leaves of trees on the Redfields’ street, a sort of cinematic harmony of culture and nature, of aesthetics and experience, that stands throughout as an artistic and political ideal.
从Rebecca Hall的新片Passing追去了解Harlem Renaissance
“Passing” is a drama of vision and of inner vision, of appearances and images and self-images, and Hall’s spare and reserved cinematic style serves to emphasize the inward aspect of the action, its crises of consciousness. Her finely textured, tensely poised compositions, filmed in black-and-white, render the drama of desperate desires and unspoken emotions in high and fervent relief. In sharply detailed yet allusive abstractions, Hall turns the Harlem of the nineteen-twenties into a stage of grand philosophical tragedy. Irene’s own reflections, both mental and visual, are joined to quietly imposing depictions of city life, including broodingly expressive views of the staccato rhythms of brownstone architecture and a series of tracking shots (on the Harlem street leading Irene and other characters to the Redfields’ town house) that recur onscreen like a musical motif. There’s also a literal musical motif, piano music composed and performed by Emahoy Tsegué-Maryam Guèbrou, that Hall uses to accompany yet another striking, recurring visual figure: sunlight seen through the leaves of trees on the Redfields’ street, a sort of cinematic harmony of culture and nature, of aesthetics and experience, that stands throughout as an artistic and political ideal.
今天授课，锦江全球创新中心，2021饭店投资筹建研修班，选好物业，赢在起跑线上，Choose a good property, win at the starting line：【中端酒店投资的决策逻辑】Decision logic of mid-range hotel investment
中端酒店，对其定义的方式很多，大约离不开房价定位和设施服务标准两样。一般指房价定位于 300-500 之间(不同城市和地段房间略有波动)，提供具备一定品质的硬件设施和良好服务，又区别于高星级酒店的奢华和一应俱全，对于大部分商务人士和旅游消费者来说，是具备较高性价比的品质酒店。中端酒店提供有限的服务和设施，通常是具有一定风格特色的精品酒店。
对于酒店投资来说，相比经济型酒店，中端酒店由于拥有良好的品牌形象塑造，消费者价格敏感性相对经济型酒店要小，品牌特色能带来较高附加值。相对高星级酒店，又具有开发成本和开发风险低的优势，成为城市开发新宠。
从宏观层面讲，主要来自于国民经济的发展以及消费者收入水平提升带来的消费升级，中等阶层的状大、居民的旅游方式由观光游向度假旅游的转变，使得过去经济型酒店为主的供给端，已不能满足人们对于酒店硬件配置和服务体验升级的需求。其次是消费主体发生变化，70/80/90 后为主的消费人群对消费体验的要求更高，提升了中端酒店的需求。除此之外，国家对于“三公”消费的限制也使得一部分需求从高星级酒店转移至中端酒店，中端酒店市场迎来前所未有的发展机遇。
方老师授课主要内容涵盖：
• 中端酒店发展现况与愿景（行业政策与政策法规、需求端分析、供给端分析、市场驱动力）
• 酒店项目的商圈分析与市场调研（3-1-Q 战略规划、TAS 商圈市场调研、CPS 消费轮廓调研、AAU 品牌知名调研、PSS 价位敏感调研、Project diagnose 项目诊断、Comparison study 比较性分析）
• 酒店投资决策分析（中端酒店新建项目的投资分析、酒店改建项目的投资分析、酒店投资回报分析、风险与对策分析） https://t.cn/AigLEeIv
中端酒店，对其定义的方式很多，大约离不开房价定位和设施服务标准两样。一般指房价定位于 300-500 之间(不同城市和地段房间略有波动)，提供具备一定品质的硬件设施和良好服务，又区别于高星级酒店的奢华和一应俱全，对于大部分商务人士和旅游消费者来说，是具备较高性价比的品质酒店。中端酒店提供有限的服务和设施，通常是具有一定风格特色的精品酒店。
对于酒店投资来说，相比经济型酒店，中端酒店由于拥有良好的品牌形象塑造，消费者价格敏感性相对经济型酒店要小，品牌特色能带来较高附加值。相对高星级酒店，又具有开发成本和开发风险低的优势，成为城市开发新宠。
从宏观层面讲，主要来自于国民经济的发展以及消费者收入水平提升带来的消费升级，中等阶层的状大、居民的旅游方式由观光游向度假旅游的转变，使得过去经济型酒店为主的供给端，已不能满足人们对于酒店硬件配置和服务体验升级的需求。其次是消费主体发生变化，70/80/90 后为主的消费人群对消费体验的要求更高，提升了中端酒店的需求。除此之外，国家对于“三公”消费的限制也使得一部分需求从高星级酒店转移至中端酒店，中端酒店市场迎来前所未有的发展机遇。
方老师授课主要内容涵盖：
• 中端酒店发展现况与愿景（行业政策与政策法规、需求端分析、供给端分析、市场驱动力）
• 酒店项目的商圈分析与市场调研（3-1-Q 战略规划、TAS 商圈市场调研、CPS 消费轮廓调研、AAU 品牌知名调研、PSS 价位敏感调研、Project diagnose 项目诊断、Comparison study 比较性分析）
• 酒店投资决策分析（中端酒店新建项目的投资分析、酒店改建项目的投资分析、酒店投资回报分析、风险与对策分析） https://t.cn/AigLEeIv
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