#每日一善[超话]##阳光信用# 岑寂的夜，星光闪烁，一轮皎洁斜铺成一片似有还无的影，伴着江心浮月的伤感，我渐渐入睡。梦中，我长出了一对美丽的翅膀。流淌着深秋的蓝月，浸透着初冬的初雾，春风中和鸟儿齐唱，夏日里同绿荫缠绵，深秋里与落叶飞零，隆冬中随白雪幻化……然而，梦醒之后，我依旧是没有翅膀的蝴蝶，一丝幽魂凝结成孤寂的眼泪幻化过心海，溅起泪痕潸然的莲……

我想，似那繁星点点 

暮色，晓风弄月，月色微清，夜微凉。抬头与低头间，那些许微笑的面容下是无尽的沧桑。匆忙的步伐，那是我对未来的畅想。没有星星的夜晚，是否少了曾经的期望？没有月色的天空，是否多了现在的迷茫？我驻足远望，在那天边的远方，还有那未实现的幸福以及毕生的希望，是对艰辛的生活渗着太多的寒酸，还有那么一些挂想。

 安静的夜，思绪尽情的舒张，拖着疲倦的身躯，满星空的搜索那颗属于我的流觞。回首，细碎的流年，那些不变的牵挂，黯然成伤。拾起一枚往事的碎片，握住一片寂寞的月光，眼中却是那难以数尽的惆怅。       如果，像一颗流星，向着预定的方向，会不会有那满身美丽的伤，会不会有那潇洒的光芒？

我想，似那繁星点点，可以伴着月光，也可以发出潇洒的光芒。就算没有光，孤独的存在，也可以让人无尽地去想象。那么，晨露稀霜，就不用那么的凄凉，或许，还会有黎明的 希望。       如我，似那繁星点点，也想在那属于我的空间，照亮前方，指引方向。

#画家[超话]#
国画欣赏丨齐白石的笔下小虫，让你一次看个够！过瘾！！！

菲尔国画艺术联盟

齐白石（1864年1月1日─1957年9月16日），祖籍安徽宿州砀山，生于湖南长沙府湘潭（今湖南湘潭）。

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原名纯芝，字渭青，号兰亭。后改名璜，字濒生，号白石、白石山翁、老萍、饿叟、借山吟馆主者、寄萍堂上老人、三百石印富翁。是近现代中国绘画大师，世界文化名人。早年曾为木工，后以卖画为生，五十七岁后定居北京。擅画花鸟、虫鱼、山水、人物，笔墨雄浑滋润，色彩浓艳明快，造型简练生动，意境淳厚朴实。所作鱼虾虫蟹，天趣横生。

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齐白石书工篆隶，取法于秦汉碑版，行书饶古拙之趣，篆刻自成一家，善写诗文。曾任中央美术学院名誉教授、中国美术家协会主席等职。代表作有《蛙声十里出山泉》《墨虾》等。著有《白石诗草》《白石老人自述》等。

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齐白石在北京定居后，内心却是“故里山花此时开也”的思想轨迹。齐白石不可能将家乡草木赶过黄河带到北京，但家乡草木却作为一种自然信息随齐白石来到北京，并化作艺术信息传达出来，以实现齐白石心理的平衡。

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齐白石刻了许多寄托着怀乡之情的闲文印，如“吾家衡岳山下”、“客中月光亦照家山”，是齐白石自抒胸臆的第一主题。齐白石写了许多的怀乡诗，如：“登高时近倍思乡，饮酒簪花更断肠，寄语南飞天上雁，心随君侣到星塘。”又如“饱谱尘世味，夜夜梦星塘”、“此时正是梅开际，老屋檐前花有无”，这些诗句是齐白石“夜不安眠”、“枕上愁余”时所些的肺腑之语。变法和着变意，变意和着变法，乡心伴着童心，童心也总念乡心。

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齐白石的作品《我最知鱼》，画着小鱼围逐钓饵，是齐白石少时作惯之事，故能“知鱼”；齐白石77岁时画《墨猪出栏》，是因为齐白石有一颗“牧汝追思七十年”的心；齐白石画那些黑蜻蜓、红甲虫，是因为齐白石还记得乡里人叫黑蜻蜓作“黑婆子”，叫小甲虫作“红娘子”，这正是农民眼中的草虫，是农民的审美情趣；齐白石画鲇鱼题“年年有余”，画石榴象征多子，画桃子象征多寿，这也是民间艺术喻意象征的特色。