David Davidson, Russell Davis
Davidson & Davis - Classic Heartstrings (DSD64)
2006
01 And I Love You So
02 Evergreen
03 Longer
04 Lady
05 Love Me Tender
06 Chances Are
07 If
08 Summer Me, Winter Me
09 One Hand, One Heart
10 All the Things You Are
11 What Are You Doing the Rest of Your Life
12 The Nearness of You
Davidson & Davis - Classic Heartstrings (DSD64)
2006
01 And I Love You So
02 Evergreen
03 Longer
04 Lady
05 Love Me Tender
06 Chances Are
07 If
08 Summer Me, Winter Me
09 One Hand, One Heart
10 All the Things You Are
11 What Are You Doing the Rest of Your Life
12 The Nearness of You
#云栖技术分享# 【如何用一个端口同时暴露 HTTP1/2、gRPC、Dubbo 协议?】
本文我们将介绍 Apache Dubbo 灵活的多协议设计原则，基于这一设计，在 Dubbo 框架底层可灵活的选用 HTTP/2、HTTP/REST、TCP、gRPC、JsonRPC、Hessian2 等任一 RPC 通信协议，同时享用统一的 API 与对等的服务治理能力。正文阅读>>https://t.cn/A6C3om8j
本文我们将介绍 Apache Dubbo 灵活的多协议设计原则，基于这一设计，在 Dubbo 框架底层可灵活的选用 HTTP/2、HTTP/REST、TCP、gRPC、JsonRPC、Hessian2 等任一 RPC 通信协议，同时享用统一的 API 与对等的服务治理能力。正文阅读>>https://t.cn/A6C3om8j
“Not Sorry We’re Closed” by Artist Brian Depauli
In his recent series of paintings, “Not Sorry We’re Closed,” Saint Louis, Missouri-based artist Brian Depauli questions the American “live-to-work” mentality. Concerned with the cultural and environmental effects of this obsession, as well as the physical and mental health ramifications, Depauli cites distinguished economist John Maynard Keynes’ essay, ‘Economic Possibilities for Our Grandchildren’ as a source of inspiration. In the essay, Keynes states that by 2030 the standard of living would be dramatically higher; people, liberated from want (and without the desire to consume for the sake of consumption), would work no more than fifteen hours a week, devoting the rest of their time to leisure and culture. “My work envisions a world where his prediction has come true,” explains Depauli.
在他最近的系列画作《不后悔我们关门了》中，密苏里州圣路易斯的艺术家Brian Depauli对美国的 "住到工作 "心态提出了质疑。出于对这种痴迷的文化和环境影响的关注，以及对身体和精神健康的影响，Depauli引用了杰出的经济学家约翰-梅纳德-凯恩斯的文章《我们孙子的经济可能性》作为灵感来源。在这篇文章中，凯恩斯指出，到2030年，生活水平将大幅提高；人们从匮乏中解放出来（没有为消费而消费的欲望），每周工作不超过15个小时，将其余时间用于休闲和文化。"我的作品设想了一个他的预言成真的世界，"Depauli解释说。
#fuck work#理想
In his recent series of paintings, “Not Sorry We’re Closed,” Saint Louis, Missouri-based artist Brian Depauli questions the American “live-to-work” mentality. Concerned with the cultural and environmental effects of this obsession, as well as the physical and mental health ramifications, Depauli cites distinguished economist John Maynard Keynes’ essay, ‘Economic Possibilities for Our Grandchildren’ as a source of inspiration. In the essay, Keynes states that by 2030 the standard of living would be dramatically higher; people, liberated from want (and without the desire to consume for the sake of consumption), would work no more than fifteen hours a week, devoting the rest of their time to leisure and culture. “My work envisions a world where his prediction has come true,” explains Depauli.
在他最近的系列画作《不后悔我们关门了》中，密苏里州圣路易斯的艺术家Brian Depauli对美国的 "住到工作 "心态提出了质疑。出于对这种痴迷的文化和环境影响的关注，以及对身体和精神健康的影响，Depauli引用了杰出的经济学家约翰-梅纳德-凯恩斯的文章《我们孙子的经济可能性》作为灵感来源。在这篇文章中，凯恩斯指出，到2030年，生活水平将大幅提高；人们从匮乏中解放出来（没有为消费而消费的欲望），每周工作不超过15个小时，将其余时间用于休闲和文化。"我的作品设想了一个他的预言成真的世界，"Depauli解释说。
#fuck work#理想
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