日本人民纪念原子弹轰炸广岛 ，是反对日本再捲入战争！安培纪念广岛被美原子弹轰炸，是要日本人民无忘国恥!
The Japanese people commemorated the atomic bombing of Hiroshima as opposed to Japan's involvement in war again! whereas AB memoral Hiroshima was bombed by the atomic bomb, is that the Japanese people should not forget the national humiliation!
The Japanese people commemorated the atomic bombing of Hiroshima as opposed to Japan's involvement in war again! whereas AB memoral Hiroshima was bombed by the atomic bomb, is that the Japanese people should not forget the national humiliation!
Bellelay Abbey／Swiss artist Romain Crelier／Saicourt, Switzerland
created by Swiss artist Romain Crelier, was exhibited at Bellelay Abbey in 2013.Almost three hundred years later Crelier's piece, entitled La Mise en Abîme (which roughly translates to, 'to have put into an abyss'), placed two shallow pools of used engine oil to act as reflective mirrors. These 'puddles' "allow the viewers to interact with the architecture of the church by being pulled into the reflection so that they, in turn, become part of the sculpture themselves." According to We Find Wildness' interpretation, "the installation not only dispenses multiple visual thrills and mysteries but also offers a moment where sculpture creates another reading of space."
created by Swiss artist Romain Crelier, was exhibited at Bellelay Abbey in 2013.Almost three hundred years later Crelier's piece, entitled La Mise en Abîme (which roughly translates to, 'to have put into an abyss'), placed two shallow pools of used engine oil to act as reflective mirrors. These 'puddles' "allow the viewers to interact with the architecture of the church by being pulled into the reflection so that they, in turn, become part of the sculpture themselves." According to We Find Wildness' interpretation, "the installation not only dispenses multiple visual thrills and mysteries but also offers a moment where sculpture creates another reading of space."
#Exhibition# Bellelay Abbey／Swiss artist Romain Crelier／Saicourt, Switzerland
created by Swiss artist Romain Crelier, was exhibited at Bellelay Abbey in 2013.Almost three hundred years later Crelier's piece, entitled La Mise en Abîme (which roughly translates to, 'to have put into an abyss'), placed two shallow pools of used engine oil to act as reflective mirrors. These 'puddles' "allow the viewers to interact with the architecture of the church by being pulled into the reflection so that they, in turn, become part of the sculpture themselves." According to We Find Wildness' interpretation, "the installation not only dispenses multiple visual thrills and mysteries but also offers a moment where sculpture creates another reading of space."
created by Swiss artist Romain Crelier, was exhibited at Bellelay Abbey in 2013.Almost three hundred years later Crelier's piece, entitled La Mise en Abîme (which roughly translates to, 'to have put into an abyss'), placed two shallow pools of used engine oil to act as reflective mirrors. These 'puddles' "allow the viewers to interact with the architecture of the church by being pulled into the reflection so that they, in turn, become part of the sculpture themselves." According to We Find Wildness' interpretation, "the installation not only dispenses multiple visual thrills and mysteries but also offers a moment where sculpture creates another reading of space."
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