#travel•游离# I feel like I've come back to a certain period and stage when I was a child. There's such a similar, just a little smaller yard. I remember jumping on the gray spring cloth sofa, beating my mother's Telegraph and moss code machine recklessly, and watching the black steam locomotive slowly passing through the track with white smoke It's just so fast. If you can't catch it, it's over～ https://t.cn/8kw9jgP

#鬼脸k2# CDC：as long as we dont call it a mask people would not be needing for wearing a mask. People should master how to make a cloth face—covering.[奸笑]please just call it a mask for GOD sake. its humiliating how Trump government work. AND AMERICANS ARE STILL BUYING THIS BS.

栗本夏树 笹井史恵 井川健
- 挑战 - 漆造型三人展
2020年4月4日- 2020年6月26日

疫情期间云观展。

現代美術　艸居
〒605-0089 京都府京都市東山区元町381ー2 ​​​

图1-3: 井川健/ Takeshi Igawa, 集積/ Accumulation, 2020, 漆、ヤシの葉柄/ Japanese lacquer (Urushi), desert fan palm, H82.5 × W38 × D20 cm/ H32.4 × W14.9 × D7.8 in
图4-6: 笹井史恵/ Fumie Sasai, 月輪(げつりん)/ The Moon, 2020, 乾漆に青漆塗/ Japanese lacquer (Urushi), hemp cloth, foam polystyrene, H44 × W35.5 × D9.5 cm/ H17.3 × W13.9 × D3.7 in.
图7-9: 栗本夏樹/ Natsuki Kurimoto, 宙/ Sora D, 2020, 乾漆に色漆・螺鈿/ Mother-of-pearl inlay on colored lacquer by Kanshitsu, H39 × W39 × D6 cm/ H15.3 × W15.3 × D2.3 in.