克里希纳神庙
美丽的克里希纳神庙吸引游客不仅是因为精神上的原因，也是因为它的建筑景观。据说这座神庙是克里希纳提瓦拉亚国王在公元1513年为了庆祝他征服了东部的乌达亚吉里王国或乌卡拉王国(今天的奥迪沙)而建造的，这座神庙的主要神是巴拉克里希纳勋爵(克里希纳勋爵还是婴儿的时候)的雕像。这个雕像现在被收藏在钦奈的政府博物馆里。安装在神庙庭院内的一块石板讲述了神庙和胜利的故事。这座神庙的雕刻与哈姆皮（Hampi）的其他建筑不同。入口两侧的柱子上有神话般的狮子和大象栏杆雕刻，神庙本身就是一件活的艺术品。据说神庙前有一个长方形石头容器的小亭子，是奉献者用来向神供奉谷物的。
Krishna Temple
The beautiful Krishna Temple draws visitors not only for spiritual reasons but also for its architectural sights. Said to have been built by king Krishnadevaraya in 1513 AD to celebrate his conquest of the eastern kingdom of Udayagiri or Utkala (in present day Odisha), the temple's main deity was a statue of Lord Balakrishna (Lord Krishna as infant). This idol is now housed in Chennai's Government Museum. A slab installed inside the courtyard of the temple tells the tale of the temple and of the victory. The temple's carvings standout from that of other structures in Hampi. With mythical lions on pillars and carvings of elephant balustrades flanking the entrances, the temple is a living work of art. A small pavilion with a rectangular stone container in front of the temple is said to have been used by devotees to offer grains to the gods.
美丽的克里希纳神庙吸引游客不仅是因为精神上的原因，也是因为它的建筑景观。据说这座神庙是克里希纳提瓦拉亚国王在公元1513年为了庆祝他征服了东部的乌达亚吉里王国或乌卡拉王国(今天的奥迪沙)而建造的，这座神庙的主要神是巴拉克里希纳勋爵(克里希纳勋爵还是婴儿的时候)的雕像。这个雕像现在被收藏在钦奈的政府博物馆里。安装在神庙庭院内的一块石板讲述了神庙和胜利的故事。这座神庙的雕刻与哈姆皮（Hampi）的其他建筑不同。入口两侧的柱子上有神话般的狮子和大象栏杆雕刻，神庙本身就是一件活的艺术品。据说神庙前有一个长方形石头容器的小亭子，是奉献者用来向神供奉谷物的。
Krishna Temple
The beautiful Krishna Temple draws visitors not only for spiritual reasons but also for its architectural sights. Said to have been built by king Krishnadevaraya in 1513 AD to celebrate his conquest of the eastern kingdom of Udayagiri or Utkala (in present day Odisha), the temple's main deity was a statue of Lord Balakrishna (Lord Krishna as infant). This idol is now housed in Chennai's Government Museum. A slab installed inside the courtyard of the temple tells the tale of the temple and of the victory. The temple's carvings standout from that of other structures in Hampi. With mythical lions on pillars and carvings of elephant balustrades flanking the entrances, the temple is a living work of art. A small pavilion with a rectangular stone container in front of the temple is said to have been used by devotees to offer grains to the gods.
死亡诗社打卡
“ We weren't a Greek organization. We were Romantics. We didn't just read poetry, we let it drip from our tongues like honey. Spirits soared, women swooned and gods were created.”
“Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to find it at all.”
“Learn to think for yourselves again. No matter what anybody tells you, words and ideas can change the world.”
“Only in their dreams can men be truly free.”
“ We weren't a Greek organization. We were Romantics. We didn't just read poetry, we let it drip from our tongues like honey. Spirits soared, women swooned and gods were created.”
“Boys, you must strive to find your own voice. Because the longer you wait to begin, the less likely you are to find it at all.”
“Learn to think for yourselves again. No matter what anybody tells you, words and ideas can change the world.”
“Only in their dreams can men be truly free.”
Book 42
This book is amazing, and the book tells us how to forgive others and ourselves, and how we can be at the moment, and what is Now/ Past/ Future? The first and most thing is how can be staying in the present?
And what is more we need to know the pure and true of us is in the innermost, we need to learn everything to the outer is impermeable and even death can’t destroy the spiritual of ourselves.
This book is amazing, and the book tells us how to forgive others and ourselves, and how we can be at the moment, and what is Now/ Past/ Future? The first and most thing is how can be staying in the present?
And what is more we need to know the pure and true of us is in the innermost, we need to learn everything to the outer is impermeable and even death can’t destroy the spiritual of ourselves.
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