To Think With Words: Indo-European Zones of Thinking
In order to understand Heidegger, we must learn to perform two operations, to which the aforementioned peculiarities of his thinking lead us. In the first place, we must listen attentively to his language.
Heidegger thinks not with concepts or categories, but with words. Not with ideas, not with principles, not with fundamentals, but with the roots of words.
His thinking is verbal and radical [i.e., rootbased.
The word in Russian is the adjectival form of the noun "root"; корневое].
This must be taken into consideration when touching upon his texts.
Their reading and comprehension demands a certain (let it be an initial) linguistic and philosophical preparation(1).
Moreover, we, like Heidegger himself in the case of the German language, must learn to think with the words and roots of our own native Russian language.
Therefore, when reading Heidegger, we simultaneously:
— Listen attentively (to the German words);
— Comprehend (the meaning, the intention, the intension of the thought);
— Translate (looking for Russian matches in words, capable of transmitting the meaning).
The reading of Heidegger must become for us a road to our own Russian language as a language of thought, a language of philosophy.
This puts before us a serious problem.
The thing is that if we have a good look at the area of diffusion of Indo-European languages, we shall see that each large linguistic group has its own philosophical systems with a more or less developed apparatus, based on the disclosure of the philosophical significance of the basic words of this language, either entirely or in part interspersed with the borrowing of concepts from close languages.
1. Nietzsche called one of his works "We Philologists" (Nietzsche F. Collected Works. V. 3 T. 3. M: REFL, 1994).
The reading of Heidegger's philosophy is a matter precisely for "philologists" in the Nietzschean sense.
©A. G. Dugin: https://t.cn/A6X2tFWs
In order to understand Heidegger, we must learn to perform two operations, to which the aforementioned peculiarities of his thinking lead us. In the first place, we must listen attentively to his language.
Heidegger thinks not with concepts or categories, but with words. Not with ideas, not with principles, not with fundamentals, but with the roots of words.
His thinking is verbal and radical [i.e., rootbased.
The word in Russian is the adjectival form of the noun "root"; корневое].
This must be taken into consideration when touching upon his texts.
Their reading and comprehension demands a certain (let it be an initial) linguistic and philosophical preparation(1).
Moreover, we, like Heidegger himself in the case of the German language, must learn to think with the words and roots of our own native Russian language.
Therefore, when reading Heidegger, we simultaneously:
— Listen attentively (to the German words);
— Comprehend (the meaning, the intention, the intension of the thought);
— Translate (looking for Russian matches in words, capable of transmitting the meaning).
The reading of Heidegger must become for us a road to our own Russian language as a language of thought, a language of philosophy.
This puts before us a serious problem.
The thing is that if we have a good look at the area of diffusion of Indo-European languages, we shall see that each large linguistic group has its own philosophical systems with a more or less developed apparatus, based on the disclosure of the philosophical significance of the basic words of this language, either entirely or in part interspersed with the borrowing of concepts from close languages.
1. Nietzsche called one of his works "We Philologists" (Nietzsche F. Collected Works. V. 3 T. 3. M: REFL, 1994).
The reading of Heidegger's philosophy is a matter precisely for "philologists" in the Nietzschean sense.
©A. G. Dugin: https://t.cn/A6X2tFWs
由Sunny Idea主办，Street Voice、Roots 及 Yellow Bird 协办，岑宁儿2022《Home is...》音乐会于6月23-26日在九龙湾国际展贸中心汇星Star Hall举行。这是岑宁儿时隔四年后再在香港举办音乐会，这次的规模比她之前的音乐会大得多，乐迷对此热烈支持，原定三场门票均告售罄，主办方为此还特意加开一场。
长文请查看： https://t.cn/A6aJ4lQv
长文请查看： https://t.cn/A6aJ4lQv
上海油罐艺术中心将举办王加加个展“扶摇直上”，这是艺术家全新“森林Roots”系列绘画的首次呈现，展览包括一件长达8m的大型“森林”绘画，以及6件来自同系列的中尺幅作品。
王加加以一种中国式的速写把自然界中幽闭的感觉描绘出来，用传统中国画的线描勾勒出有机的森林空间。在王加加的创作实践中，时间是立体的，他的绘画包裹着记忆与经验，当下的体验，以及对未来的试探。在“森林Roots”系列中，他回归到一条开始于十几年前的创作线索，以中国式的速写延展他的绘画语言。“森林Roots”系列的画面起始于线描，上色和刮色，线条以有机的方式盘绕、交织、展开，趋向更为纯粹的绘画性。
王加加：扶摇直上
A Tree Cannot Pick Up Its Roots
展览时间：2022.7.9—8.7
展览地点：上海油罐艺术中心
#WALLPAPER 资讯#
王加加以一种中国式的速写把自然界中幽闭的感觉描绘出来，用传统中国画的线描勾勒出有机的森林空间。在王加加的创作实践中，时间是立体的，他的绘画包裹着记忆与经验，当下的体验，以及对未来的试探。在“森林Roots”系列中，他回归到一条开始于十几年前的创作线索，以中国式的速写延展他的绘画语言。“森林Roots”系列的画面起始于线描，上色和刮色，线条以有机的方式盘绕、交织、展开，趋向更为纯粹的绘画性。
王加加：扶摇直上
A Tree Cannot Pick Up Its Roots
展览时间：2022.7.9—8.7
展览地点：上海油罐艺术中心
#WALLPAPER 资讯#
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