在春晖村,昨天我吃到今年的第一粒樱桃。
香蕉花开了,许多好吃的果子都结了小小的果,但还有金桔挂在枝头。
田里有各种菜。农民曾经是社会最底层的人,一些自以为是的人总是瞧不起他们。但我以为,他们不仅仅勤劳、如大地一样朴实诚挚又坚韧,他们还是伟大的园艺师。
现在,他们是有福之人!只要他们能健康活着他们就是![鲜花][鲜花]
香蕉花开了,许多好吃的果子都结了小小的果,但还有金桔挂在枝头。
田里有各种菜。农民曾经是社会最底层的人,一些自以为是的人总是瞧不起他们。但我以为,他们不仅仅勤劳、如大地一样朴实诚挚又坚韧,他们还是伟大的园艺师。
现在,他们是有福之人!只要他们能健康活着他们就是![鲜花][鲜花]
#画家[超话]#
国画欣赏丨齐白石的笔下小虫,让你一次看个够!过瘾!!!
菲尔国画艺术联盟
齐白石(1864年1月1日─1957年9月16日),祖籍安徽宿州砀山,生于湖南长沙府湘潭(今湖南湘潭)。
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原名纯芝,字渭青,号兰亭。后改名璜,字濒生,号白石、白石山翁、老萍、饿叟、借山吟馆主者、寄萍堂上老人、三百石印富翁。是近现代中国绘画大师,世界文化名人。早年曾为木工,后以卖画为生,五十七岁后定居北京。擅画花鸟、虫鱼、山水、人物,笔墨雄浑滋润,色彩浓艳明快,造型简练生动,意境淳厚朴实。所作鱼虾虫蟹,天趣横生。
图片
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齐白石书工篆隶,取法于秦汉碑版,行书饶古拙之趣,篆刻自成一家,善写诗文。曾任中央美术学院名誉教授、中国美术家协会主席等职。代表作有《蛙声十里出山泉》《墨虾》等。著有《白石诗草》《白石老人自述》等。
图片························································································································································································································
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图片
齐白石在北京定居后,内心却是“故里山花此时开也”的思想轨迹。齐白石不可能将家乡草木赶过黄河带到北京,但家乡草木却作为一种自然信息随齐白石来到北京,并化作艺术信息传达出来,以实现齐白石心理的平衡。
图片·······················································································································································································································
图片
齐白石刻了许多寄托着怀乡之情的闲文印,如“吾家衡岳山下”、“客中月光亦照家山”,是齐白石自抒胸臆的第一主题。齐白石写了许多的怀乡诗,如:“登高时近倍思乡,饮酒簪花更断肠,寄语南飞天上雁,心随君侣到星塘。”又如“饱谱尘世味,夜夜梦星塘”、“此时正是梅开际,老屋檐前花有无”,这些诗句是齐白石“夜不安眠”、“枕上愁余”时所些的肺腑之语。变法和着变意,变意和着变法,乡心伴着童心,童心也总念乡心。
图片
图片···········································································································
齐白石的作品《我最知鱼》,画着小鱼围逐钓饵,是齐白石少时作惯之事,故能“知鱼”;齐白石77岁时画《墨猪出栏》,是因为齐白石有一颗“牧汝追思七十年”的心;齐白石画那些黑蜻蜓、红甲虫,是因为齐白石还记得乡里人叫黑蜻蜓作“黑婆子”,叫小甲虫作“红娘子”,这正是农民眼中的草虫,是农民的审美情趣;齐白石画鲇鱼题“年年有余”,画石榴象征多子,画桃子象征多寿,这也是民间艺术喻意象征的特色。
国画欣赏丨齐白石的笔下小虫,让你一次看个够!过瘾!!!
菲尔国画艺术联盟
齐白石(1864年1月1日─1957年9月16日),祖籍安徽宿州砀山,生于湖南长沙府湘潭(今湖南湘潭)。
图片
原名纯芝,字渭青,号兰亭。后改名璜,字濒生,号白石、白石山翁、老萍、饿叟、借山吟馆主者、寄萍堂上老人、三百石印富翁。是近现代中国绘画大师,世界文化名人。早年曾为木工,后以卖画为生,五十七岁后定居北京。擅画花鸟、虫鱼、山水、人物,笔墨雄浑滋润,色彩浓艳明快,造型简练生动,意境淳厚朴实。所作鱼虾虫蟹,天趣横生。
图片
图片
齐白石书工篆隶,取法于秦汉碑版,行书饶古拙之趣,篆刻自成一家,善写诗文。曾任中央美术学院名誉教授、中国美术家协会主席等职。代表作有《蛙声十里出山泉》《墨虾》等。著有《白石诗草》《白石老人自述》等。
图片························································································································································································································
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图片
齐白石在北京定居后,内心却是“故里山花此时开也”的思想轨迹。齐白石不可能将家乡草木赶过黄河带到北京,但家乡草木却作为一种自然信息随齐白石来到北京,并化作艺术信息传达出来,以实现齐白石心理的平衡。
图片·······················································································································································································································
图片
齐白石刻了许多寄托着怀乡之情的闲文印,如“吾家衡岳山下”、“客中月光亦照家山”,是齐白石自抒胸臆的第一主题。齐白石写了许多的怀乡诗,如:“登高时近倍思乡,饮酒簪花更断肠,寄语南飞天上雁,心随君侣到星塘。”又如“饱谱尘世味,夜夜梦星塘”、“此时正是梅开际,老屋檐前花有无”,这些诗句是齐白石“夜不安眠”、“枕上愁余”时所些的肺腑之语。变法和着变意,变意和着变法,乡心伴着童心,童心也总念乡心。
图片
图片···········································································································
齐白石的作品《我最知鱼》,画着小鱼围逐钓饵,是齐白石少时作惯之事,故能“知鱼”;齐白石77岁时画《墨猪出栏》,是因为齐白石有一颗“牧汝追思七十年”的心;齐白石画那些黑蜻蜓、红甲虫,是因为齐白石还记得乡里人叫黑蜻蜓作“黑婆子”,叫小甲虫作“红娘子”,这正是农民眼中的草虫,是农民的审美情趣;齐白石画鲇鱼题“年年有余”,画石榴象征多子,画桃子象征多寿,这也是民间艺术喻意象征的特色。
#不要再emo啦#
花坛里的花开了,它们灿烂浪漫,花香扑鼻,绽放绚烂的一生。大街两旁法国梧桐,树影斑驳,车辆川流,老人散步,孩童玩耍,朴实但却是幸福的生活。夕阳如火,伴随着晚风落到山的那一边,雀鸟回巢,而小时候的我每每到这个时候都会想山的那边树的那边到底有没有住着神仙。
我没有停下脚步去欣赏这些平凡的浪漫,为各种感情而焦虑而伤感,所以人活着活着就孤单了,孤单了之后就平淡幸福了,因为没有情感牵绊所以可以更好欣赏周边的浪漫。所以不要再emo啦,勇敢去爱吧,就如同从未受过伤害。你看,生活还是很浪漫呐...
花坛里的花开了,它们灿烂浪漫,花香扑鼻,绽放绚烂的一生。大街两旁法国梧桐,树影斑驳,车辆川流,老人散步,孩童玩耍,朴实但却是幸福的生活。夕阳如火,伴随着晚风落到山的那一边,雀鸟回巢,而小时候的我每每到这个时候都会想山的那边树的那边到底有没有住着神仙。
我没有停下脚步去欣赏这些平凡的浪漫,为各种感情而焦虑而伤感,所以人活着活着就孤单了,孤单了之后就平淡幸福了,因为没有情感牵绊所以可以更好欣赏周边的浪漫。所以不要再emo啦,勇敢去爱吧,就如同从未受过伤害。你看,生活还是很浪漫呐...
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