来自今天的音乐剧推荐
From today's musical recommendations
《歌剧魅影The Phantom Of the Opera》
又名剧院魅影/歌剧院幽灵
《歌剧魅影》是世界四大音乐剧之一，音乐剧大师安德鲁·劳埃德·韦伯的代表作之一，以精彩的音乐、浪漫的剧情、完美的舞蹈，成为音乐剧中永恒的佳作。它改编自法国作家加斯东·路易·阿尔弗雷德·勒鲁的同名哥特式爱情小说。
故事开始在1919年巴黎的一家歌剧院里，怪事频繁地发生，原来的首席女主角险些被砸死，剧院出现一个令人毛骨悚然的虚幻男声。这个声音来自住在剧院地下迷宫的“魅影”，他爱上了女演员克丽斯汀，暗中教她唱歌，帮她获得女主角的位置，而克丽斯汀却爱着剧院经纪人拉乌尔，由此引起了嫉妒、追逐、谋杀等一系列情节。而最终“魅影”发现自己对克丽斯汀的爱已经超过了个人的占有欲，于是解脱了克丽斯汀,留下披风和面具，独自消失在昏暗的地下迷宫里。
该剧的音乐写的极为成功，神秘而优美。刚开始的一首：“Think of Me”就会紧紧抓住你的心，而随后“The Phantom of Opera”以及“The Music of the Night”,已经成了音乐剧的经典名曲。
该剧与我国电影《夜半歌声》一样，都取材于法国作家加斯东．勒鲁的同名小说，原作虽算不上精彩，但它神秘浪漫的情节，惊险悬疑的气氛却给了不少艺术家以灵感。韦伯在此剧中套进了歌剧的成份，大量采用古典音乐如维尔第、奥芬巴赫的歌剧旋律，剧中舞台灯光、布景及服饰也是极尽豪华之能事，男女主角麦克．克劳福德和莎拉．布莱特曼的合作更是成为冠绝一时经典。韦伯也将原著中很多无关紧要的情节（例如地下的玻璃钢铁森林和酷刑室等）和人物（例如达洛迦和菲利普伯爵等）祛除，使得歌剧的剧情更紧凑。
推荐曲音乐
《想想我Think of me》
《音乐天使Angel of music》
《剧院魅影The Phantom of the Opera》
《夜之乐章The music of the Night》
《别无所求All I Ask of You》
《覆水难收The point of no return》
From today's musical recommendations
《歌剧魅影The Phantom Of the Opera》
又名剧院魅影/歌剧院幽灵
《歌剧魅影》是世界四大音乐剧之一，音乐剧大师安德鲁·劳埃德·韦伯的代表作之一，以精彩的音乐、浪漫的剧情、完美的舞蹈，成为音乐剧中永恒的佳作。它改编自法国作家加斯东·路易·阿尔弗雷德·勒鲁的同名哥特式爱情小说。
故事开始在1919年巴黎的一家歌剧院里，怪事频繁地发生，原来的首席女主角险些被砸死，剧院出现一个令人毛骨悚然的虚幻男声。这个声音来自住在剧院地下迷宫的“魅影”，他爱上了女演员克丽斯汀，暗中教她唱歌，帮她获得女主角的位置，而克丽斯汀却爱着剧院经纪人拉乌尔，由此引起了嫉妒、追逐、谋杀等一系列情节。而最终“魅影”发现自己对克丽斯汀的爱已经超过了个人的占有欲，于是解脱了克丽斯汀,留下披风和面具，独自消失在昏暗的地下迷宫里。
该剧的音乐写的极为成功，神秘而优美。刚开始的一首：“Think of Me”就会紧紧抓住你的心，而随后“The Phantom of Opera”以及“The Music of the Night”,已经成了音乐剧的经典名曲。
该剧与我国电影《夜半歌声》一样，都取材于法国作家加斯东．勒鲁的同名小说，原作虽算不上精彩，但它神秘浪漫的情节，惊险悬疑的气氛却给了不少艺术家以灵感。韦伯在此剧中套进了歌剧的成份，大量采用古典音乐如维尔第、奥芬巴赫的歌剧旋律，剧中舞台灯光、布景及服饰也是极尽豪华之能事，男女主角麦克．克劳福德和莎拉．布莱特曼的合作更是成为冠绝一时经典。韦伯也将原著中很多无关紧要的情节（例如地下的玻璃钢铁森林和酷刑室等）和人物（例如达洛迦和菲利普伯爵等）祛除，使得歌剧的剧情更紧凑。
推荐曲音乐
《想想我Think of me》
《音乐天使Angel of music》
《剧院魅影The Phantom of the Opera》
《夜之乐章The music of the Night》
《别无所求All I Ask of You》
《覆水难收The point of no return》
《去爱吧》
——艾佛列德·德索萨
去爱吧，就像不曾受过伤一样
跳舞吧，像没有人会欣赏一样
唱歌吧，像没有人会聆听一样
干活吧，像是不需要金钱一样
生活吧，就像今天是末日一样
to love, like never been hurt
to dance,like no one appreciate
to sing, like no one listen to
to work, like no need of money
to life, like today is the end.
——Alfred D’Souza https://t.cn/zR6m3g8
——艾佛列德·德索萨
去爱吧，就像不曾受过伤一样
跳舞吧，像没有人会欣赏一样
唱歌吧，像没有人会聆听一样
干活吧，像是不需要金钱一样
生活吧，就像今天是末日一样
to love, like never been hurt
to dance,like no one appreciate
to sing, like no one listen to
to work, like no need of money
to life, like today is the end.
——Alfred D’Souza https://t.cn/zR6m3g8
Beautiful Joel McCrea in The Common Law (Paul L. Stein, 1931)
“Joel McCrea, an amiable, modest actor who turned down parts because he felt he wasn’t good enough for them, began his career as a male beauty. He came from a generation and a western milieu that valued plainness as a virtue, and he cultivated simple viewpoints that neutralized any possibility of narcissism. In his day and age, men weren’t supposed to be sex objects. McCrea couldn’t think of himself as sexy; happily, this doubled his sexual impact on film. He always kept aware of his image, which was that of an honorable man, and this image served him well when he relaxed into a series of grizzled fifties westerns. McCrea’s sexual charge in his early and middle movies is exciting because he is completely natural about it and sometimes bashful. It is a kind of sex appeal that is founded on diffidence. It is in short supply today.” - Bright Lights Film Journal
“Joel McCrea, an amiable, modest actor who turned down parts because he felt he wasn’t good enough for them, began his career as a male beauty. He came from a generation and a western milieu that valued plainness as a virtue, and he cultivated simple viewpoints that neutralized any possibility of narcissism. In his day and age, men weren’t supposed to be sex objects. McCrea couldn’t think of himself as sexy; happily, this doubled his sexual impact on film. He always kept aware of his image, which was that of an honorable man, and this image served him well when he relaxed into a series of grizzled fifties westerns. McCrea’s sexual charge in his early and middle movies is exciting because he is completely natural about it and sometimes bashful. It is a kind of sex appeal that is founded on diffidence. It is in short supply today.” - Bright Lights Film Journal
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