拍照永远一个角度 算了[伤心]
今天殷老师送的书还有一个问题（无法踢出我脑海）：你静的下心看书么？
确实距离那个花三天看纯真年代气的要死写了一大篇痛批男主，发誓再也不看这种长篇还巨让人生气的小说已经过了好几年了。
这种无法摆脱讨厌的主角还不得不眼看女主难过悲痛，无力改变的事实，让人痛苦。

不过这个问题是一个提醒。
看到这本书就会想起这个提醒。

hould it not be remembered that in setting a garden we are painting a picture?” So asked Beatrix Farrand in her 1907 Scribner’s essay “The Garden as Picture.” A pioneering American landscape architect whose career spanned the Gilded Age, the Roaring Twenties, the Great Depression, and two world wars, Farrand wrote, “The two arts of painting and garden design are closely related, except that the landscape gardener paints with actual color, line, and perspective...while the painter has but a flat surface on which to create his illusion.”

She was the product of five generations of gardeners and descended from American aristocrats on both sides of her family, Revolutionary War heroes among them (including Ebenezer Stevens, who tipped tea into the Boston Harbor). Her father’s line, the Jones family, was so distinguished they are said to have inspired the saying “keeping up with the Joneses” and included no less a figure than Edith Wharton, Farrand’s aunt.伊迪絲·華頓 Edith Wharton 1862年1月24日－1937年8月11日 原名伊迪絲·紐伯德·瓊斯 Edith Newbold Jones 美國女作家 作品有 高尚的嗜好 純真年代 四月裏的陣雨 馬恩河 戰地英雄 等書

每日一书：《纯真年代》是美国著名作家伊迪丝•华顿的代表作，曾获得1921年普利策奖。书中主要情节发生在19世纪70年代末80年代初的纽约上流社会。那是华顿度过童年与青春的地方，她在那儿长大成人，进入社交界，订婚又解除婚约，最后嫁给波士顿的爱德华•华顿，并度过了婚后的最初几年。时隔40年后，作为小说家的她回顾养育过她也束缚过她的那个社会，她的感情是复杂的，既有亲切的眷恋，又有清醒的针砭。