#名姝第三季# 0301,
1.small minds狭隘的思想
2.break through 冲破障碍
3.nook and cranny犄角旮旯
4.toy with 玩弄
5.drag up 有意旧事重提
6.have a taste for 对…有兴趣
7.keep … at bay 使无法近身
8.join forces (同…)联合,并师
9.fall / drop into one's lap (好事)轻而易举得到, 天上掉馅饼
1.small minds狭隘的思想
2.break through 冲破障碍
3.nook and cranny犄角旮旯
4.toy with 玩弄
5.drag up 有意旧事重提
6.have a taste for 对…有兴趣
7.keep … at bay 使无法近身
8.join forces (同…)联合,并师
9.fall / drop into one's lap (好事)轻而易举得到, 天上掉馅饼
刷ins看到MR昨天有个swing突发替了La Chocolat,她平常不替这个track的但不知道昨天正卡Jacqueline怎么了,其他替也没法上,她就preshow临时学会了Chocolat的track……就突然想说一下,Chocolat这个角色看过电影的应该有印象,是一个强壮的黑人男性,表演的时候似乎穿着女装,在电影里救了Satine两次,而在音乐剧里是女演员饰演,主卡Jacqueline Arnold是黑人女性,这回cover她的Amber是白人,而这个角色应该是有两个understudy的一黑一白。
然后呢,在音乐剧的设定里Lady Marmalade包括Chocolat有有四个人,另外三位:Nini,白人女性,在Roxanne里对应Satine的那位;Arabia,主卡Holly James是黑人,超美;Baby Doll,应该是Drag Queen,主卡男性,替补演员是一男一女。
就是想说,都2019年了,商业艺术作品中某个角色是什么肤色甚至什么性别还有这么重要吗?(本身就带有特定种族文化背景的除外)
然后呢,在音乐剧的设定里Lady Marmalade包括Chocolat有有四个人,另外三位:Nini,白人女性,在Roxanne里对应Satine的那位;Arabia,主卡Holly James是黑人,超美;Baby Doll,应该是Drag Queen,主卡男性,替补演员是一男一女。
就是想说,都2019年了,商业艺术作品中某个角色是什么肤色甚至什么性别还有这么重要吗?(本身就带有特定种族文化背景的除外)
Boulet Brothers’ DRAGULA search for the World’s Next Drag Supermonster. 第3季来了。 https://t.cn/AiWtJtvo
'Dragula' Is Loud, Weird, and Pisses on Heteronormativity [笑cry]
I think what the show and the Boulets are doing is vital for the queer community for exactly that reason: Nothing they do is safe. Sometimes literally, but always figuratively. Their movement is the opposite of bland, anesthetized, complacent queer culture, the kind that’s been toned down and made safe for the consumption of straight people. It’s unabashed and raw, and in a world where our rights are imperiled and queer people are dying, one where we need loud, unashamed queer visibility more than ever, the Boulet Brothers are doing something that feels incredible—both to people like me in the audience and to the queens they champion on the show.
https://t.cn/AiWtJtvm
'Dragula' Is Loud, Weird, and Pisses on Heteronormativity [笑cry]
I think what the show and the Boulets are doing is vital for the queer community for exactly that reason: Nothing they do is safe. Sometimes literally, but always figuratively. Their movement is the opposite of bland, anesthetized, complacent queer culture, the kind that’s been toned down and made safe for the consumption of straight people. It’s unabashed and raw, and in a world where our rights are imperiled and queer people are dying, one where we need loud, unashamed queer visibility more than ever, the Boulet Brothers are doing something that feels incredible—both to people like me in the audience and to the queens they champion on the show.
https://t.cn/AiWtJtvm
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