Not gone

我依旧觉得春醒是我最喜欢的戏

我们一直都在，从未离开，永远不会离开。

：：：人确实要在成长的过程中 要生存在各个群体中 要有这样的一个外壳来保护自己的 我有时候也怕自己变得很虚伪很圆滑 但是有时候这个是用来保护自己的纯真的 不是谁都值得用纯真和善良去对待的

我爱春醒
等你回来
…… https://t.cn/RVJk9aF

#沙丘[电影]# 称之反乌托邦科幻文艺史诗并不为过:

光影构图帧帧绝妙，镜头语言与配乐里磅礴的、诗意的、肃冷的、坚硬的、恢宏的、荒芜的、神秘的、时而温热细腻却仍压抑微幽、悲怆却仍悲悯的审美偏好，不紧不慢的节奏中不知不觉积累情绪直至爆发的叙事美学，故事性看似“简”但画面包含元素却复杂多元，无一不是震撼，无一不令我惊呼连连。

民族 历史 预言 梦境
统治 权谋 宗教 军队
圣母 家族 救世主
纤细颓美背负沉重的少年
呼吸虚弱肉体健硕的死亡
带着温热气息的冥冥低语
怪异独特精致的服化妆造
粗犷硬挺延广的建筑线条
致敬中世纪艺术作品的场景设置
古典文化与后现代科技的微妙平衡
巨物压迫性下对其产生的迷恋崇拜
不同物种人种间不同语言字符编码的文化内涵
人类在苍茫宇宙自然宏大沙漠之间的渺小
个体抗争在未知未来与预知宿命前的孤勇
从“He can't be The One”到“to be The One”

是巨作
亦是艺作

淋漓尽致 意犹未尽 后劲难平

/ The mystery of life isn’t a problem to solve. But a reality to experience. A process that can’t be understand by stopping it.
We must move with the flow of the process.
We must join it, We must float with it. /

/ Fear is the mind-killer. Fear is the little-death that brings total obliteration.
I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. And Where the fear has gone there will be nothing.
Only I will remain. /

/ Here I am, here I remain./

I must not fear. Fear is the mind-killer. Fear is the little-death that brings total obliteration. I will face my fear. I will permit it to pass over me and through me. And when it has gone past I will turn the inner eye to see its path. Where the fear has gone there will be nothing. Only I will remain.