Pygmalion and Galatea
Jean-L éon Gérôme
Between 1890 and 1892, Gérôme made both painted and sculpted variations on thetheme of Pygmalion and Galatea, the tale recounted in Ovid's Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the goddess Venus, in fulfillment of Pygmalion's wish for a wife as beautiful as the sculpture he created.This is one of three known versions in oil that areclosely related to a polychrome marble sculpture,also fashioned by Gérôme (Hearst Castle, San Simeon, Calif.). In each of the paintings, the sculpture appears at a different angle, as though itwas being viewed in the round.
#art##painting#
Jean-L éon Gérôme
Between 1890 and 1892, Gérôme made both painted and sculpted variations on thetheme of Pygmalion and Galatea, the tale recounted in Ovid's Metamorphoses. All depict the moment when the sculpture of Galatea was brought to life by the goddess Venus, in fulfillment of Pygmalion's wish for a wife as beautiful as the sculpture he created.This is one of three known versions in oil that areclosely related to a polychrome marble sculpture,also fashioned by Gérôme (Hearst Castle, San Simeon, Calif.). In each of the paintings, the sculpture appears at a different angle, as though itwas being viewed in the round.
#art##painting#
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As a ground drilling through time, the landmark ‘It Goddeloas Fiersicht’ connects past and present to give visitors a new perspective on the landscape. The landmark’s name appeals to the imagination and derives from the name of the historic path where it is located: ‘It Goddeloas Fiersicht’ means the wicked path in the native local Frisian language. #MID-设计灵感#
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