#戏剧大师说#
虽然音乐剧的歌词在押韵和节奏上紧密而复杂,但它们有别于诗歌。诗歌是凝练的,歌词则需要“透气”。桑德海姆强调,观众需要听到歌词、领会并思考它。一个角色的歌唱方式,也向观众传递了重要信息:唱得不好的角色,例如《俄克拉荷马》中唱“I Can’t Say No”的爱多·安妮、电影版《音乐之声》中的Baroness Schraeder,都标志着一个人与社会格格不入,与周围很难相处或不被相信。
——Changed for Good: A Feminist History of the Broadway Musical by Stac Y Wolf
虽然音乐剧的歌词在押韵和节奏上紧密而复杂,但它们有别于诗歌。诗歌是凝练的,歌词则需要“透气”。桑德海姆强调,观众需要听到歌词、领会并思考它。一个角色的歌唱方式,也向观众传递了重要信息:唱得不好的角色,例如《俄克拉荷马》中唱“I Can’t Say No”的爱多·安妮、电影版《音乐之声》中的Baroness Schraeder,都标志着一个人与社会格格不入,与周围很难相处或不被相信。
——Changed for Good: A Feminist History of the Broadway Musical by Stac Y Wolf
I think people make mistakes and they're going to disappoint you, especially the people who love you most. And if you can't forgive them for not being perfect, you're going to end up alone. 人们总会犯错误会让你失望,特别是那些最爱你的。如果你不能原谅他们的不完美,你会孤独终老。
No matter how strange we are in the end.Ones I was serious to love U.Even if we finally broke up.Don't live up to once met.I hope U don't regret knowing me&hope U have a happy times.If U can go back to the past.I will choose not to know U.M not sorry.I just can't face the end now.So......take care.
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