#每日红点# 2020红点设计奖 Lands 托盘设计
无独有偶啊，想到了张剑工作室的笔记本，下附作品介绍与评委意见
The Lands wood trays collection consists of six products that perfectly correspond with each other. The design concept is inspired by airy landscapes and combines meticulous craftsmanship and modern production methods. The trays are made from solid ash or walnut. They can be put together in various ways but also be used separately. The zigzag surface ensures the stability and movement of the trays.
评委意见：
The trays’ elegant design and the use of high-quality, carefully processed massive wood combine to provide a distinctive product solution.
无独有偶啊，想到了张剑工作室的笔记本，下附作品介绍与评委意见
The Lands wood trays collection consists of six products that perfectly correspond with each other. The design concept is inspired by airy landscapes and combines meticulous craftsmanship and modern production methods. The trays are made from solid ash or walnut. They can be put together in various ways but also be used separately. The zigzag surface ensures the stability and movement of the trays.
评委意见：
The trays’ elegant design and the use of high-quality, carefully processed massive wood combine to provide a distinctive product solution.
战国· 蛇座凤鸟鼓架（局部二）https://t.cn/A6MqMiHE
Cranes and Serpents
蛇座凤鸟鼓架
475–221 BC
China, reportedly from Hunan province, Changsha, Warring States period (475-221 BC), State of Chu
(c. 1046-223 BC)
Lacquered wood with polychromy
Overall: 132.1 x 124.5 cm (52 x 49 in.)
Purchase from the J. H. Wade Fund 1938.9
The drum stand was discovered in the mid-1930s near Changsha, Hunan province, by crews digging a route for railroad tracks.
A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.
This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.
The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.
Collection: China - Zhou Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Lacquered wood with polychromy
Credit line: Purchase from the J. H. Wade Fund
Cranes and Serpents
蛇座凤鸟鼓架
475–221 BC
China, reportedly from Hunan province, Changsha, Warring States period (475-221 BC), State of Chu
(c. 1046-223 BC)
Lacquered wood with polychromy
Overall: 132.1 x 124.5 cm (52 x 49 in.)
Purchase from the J. H. Wade Fund 1938.9
The drum stand was discovered in the mid-1930s near Changsha, Hunan province, by crews digging a route for railroad tracks.
A different style of ritual art developed in the state of Chu in South China. In addition to bronze vessels, lacquered wood artifacts expanded the repertory of ritual implements.
This extraordinary sculpture was probably a drum stand for supporting a suspended drum in ritual ceremonies. It is unique among other excavated drum stands of the Chu, which typically show two birds standing on tigers. The theme of the bird stepping on the serpent was common in the Chu visual culture. Yet the slender proportions and seemingly flimsy structure of this particular set raise the question of whether it was utilitarian or mostly served symbolic functions in the tomb.
The birds' and serpents' bodies have designs painted in red lacquer and yellow pigment against the black lacquer. Scientific analyses confirm the additional use of a blue or green pigment that has been discolored over time.
Collection: China - Zhou Dynasty
Department: Chinese Art
Type of artwork: Sculpture
Medium: Lacquered wood with polychromy
Credit line: Purchase from the J. H. Wade Fund
#家居##天然手工墙纸#
品牌：Koziel
产地：法国/FRANCE
材质：木皮/WOOD
制作工艺：镶嵌 INLAY
———————————————————————————————
桦树的树干因其不寻常的白色树皮而与众不同。具有很强的装饰性，与室内的自然色调完美融合。为了营造一种非同寻常的森林氛围，这些树皮条以一种非常形象的方式重组了一个小型木材。
品牌：Koziel
产地：法国/FRANCE
材质：木皮/WOOD
制作工艺：镶嵌 INLAY
———————————————————————————————
桦树的树干因其不寻常的白色树皮而与众不同。具有很强的装饰性，与室内的自然色调完美融合。为了营造一种非同寻常的森林氛围，这些树皮条以一种非常形象的方式重组了一个小型木材。
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