composure blackmail fractious genial lush neutralize eclectic zoom resigned be resigned to the fact that… screech staccato hamstring ruffian parameter indent insolent incubation slump aromatic dole interrogate projection feint invidious forte orchid mosaic outright disenchant vanguard dribble tinker equilibrium hearsay meager garland neural contour fickle gentility luminous fabricate somber sprawl covenant asymmetric overt unwitting sordid impious pamper…

#看展#Fashion is the overt and enduring conduit of all the art forms;clothes could be sculptures made of fabrics.Fashion reflects the influence of ideologies on the human psyche and tells the memory of its owner.This exhibition presents a revealing look at the role of fashion in 20th-century Chinese art and culture,and the exchange between East and West.

Piero Atchugarry画廊与SAPAR当代画廊合作，正在展出“后座司机Backseat Driver”。这是一个双重展览，由Kameelah Janan Rasheed（1985年，美国加利福尼亚州）和Yuken Teruya（1973年，日本冲绳）组成。展览将两位艺术家的个人叙事和美国历史结合起来，作为分析和反思西方文化中系统性问题的基础。Teruya通过由商业图标组成的编码视觉语言解决西方文化的现状时，Rasheed将她的作品嵌入了公开的短语和档案记录中，这些文字和档案记录一起呈现时，就形成了美国冲突历史的图像。

Piero Atchugarry Gallery works with SAPAR Contemporary gallery to present Backseat Driver, a dual exhibition joining works by Kameelah Janan Rasheed (1985, East Palo Alto, California) and Yuken Teruya (1973, Okinawa, Japan). The exhibition unites two artists employing their personal narratives and US history as a basis for analysis and reflection on systemic issues in Western culture. While Teruya addresses the status quo in Western culture through a coded visual language composed of commercial icons, Rasheed embeds her work with overt phrases and archival records that, when presented together, create an image of the history of conflict in the United States.

#纽约# #画廊# #当代艺术# #展览#