#知守的三年计划#
To do lists
recite poems—《乌衣巷》《送别》《青溪》《渭川田家》《西施咏》
reading—《A Dream in Red Mansions》338页
#知守的古典文学素养#
Ancient Literature paper
mind map
class regulations drawing
oral English
taking a walk 20mins
alleviating double chin exercise 6mins
recite words257页至253页
To do lists
recite poems—《乌衣巷》《送别》《青溪》《渭川田家》《西施咏》
reading—《A Dream in Red Mansions》338页
#知守的古典文学素养#
Ancient Literature paper
mind map
class regulations drawing
oral English
taking a walk 20mins
alleviating double chin exercise 6mins
recite words257页至253页
#新!英语绘本# 第197期
#where go the boats?#
作者:#Robert Louis Stevenson#
插画师:#Chris Sheban#
出版社:#Creative Editions#
下雨天标签️:
几乎没有读过英文的诗歌,只是在给孩子选书的过程中会有意识的买上一两本来避免阅读的局限性,书架上比较喜欢的一本是我喜欢的老插画师#Arnold Lobel# 为兰登书屋配图的那本#the random house book of poetry for children,a treasury of 572 poems for today’s child# ( 诗人#Jack Prelutsky# 为其严选背书),一幅幅小小的插图像极了孩子从晨雾树林里钻出时手里冲我摆动的落叶,黄绿红棕加上不规则的虫噬,不完美,做书签却刚刚好
这首诗,我会念给孩子听,诗里飘在河流上的小船,让我想起自己做过的那一艘:西瓜皮做船身,筷子做船桅,摘来一片大芭蕉叶粘在杆子上就是帆,至于它会在不急的河上漂多远,我那时所能想到的就是:它永远会鼓足了帆,嗯,永远。
#绘本会客厅[超话]#
#where go the boats?#
作者:#Robert Louis Stevenson#
插画师:#Chris Sheban#
出版社:#Creative Editions#
下雨天标签️:
几乎没有读过英文的诗歌,只是在给孩子选书的过程中会有意识的买上一两本来避免阅读的局限性,书架上比较喜欢的一本是我喜欢的老插画师#Arnold Lobel# 为兰登书屋配图的那本#the random house book of poetry for children,a treasury of 572 poems for today’s child# ( 诗人#Jack Prelutsky# 为其严选背书),一幅幅小小的插图像极了孩子从晨雾树林里钻出时手里冲我摆动的落叶,黄绿红棕加上不规则的虫噬,不完美,做书签却刚刚好
这首诗,我会念给孩子听,诗里飘在河流上的小船,让我想起自己做过的那一艘:西瓜皮做船身,筷子做船桅,摘来一片大芭蕉叶粘在杆子上就是帆,至于它会在不急的河上漂多远,我那时所能想到的就是:它永远会鼓足了帆,嗯,永远。
#绘本会客厅[超话]#
Day 66
The reason for my eschewing the record for the continual two days can be interpreted as a fear of being imperfect. It appears to be true that an attempt to apply what I underlined in the newspaper articles to the daily reflection in a weird way shows both psychological hesitation and physical delay. As Wordsworth put it, poems are the spontaneous flow of emotions, so are the reflections. If forced to use for the sake of use, honestIy speaking, I will displace the language,let lone of a higher level of writing and speaking. Thus, a second way came out. Simply record what impressed me most.
The reason for my eschewing the record for the continual two days can be interpreted as a fear of being imperfect. It appears to be true that an attempt to apply what I underlined in the newspaper articles to the daily reflection in a weird way shows both psychological hesitation and physical delay. As Wordsworth put it, poems are the spontaneous flow of emotions, so are the reflections. If forced to use for the sake of use, honestIy speaking, I will displace the language,let lone of a higher level of writing and speaking. Thus, a second way came out. Simply record what impressed me most.
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