1：
Eugène Lepoitevin
Soleil du soir sur les côtes de la Manche
1831
76.5 x 102.5 cm
Huile sur toile
Lepotvin often received official orders for historical themes, and he was at home with inspiring realist paintings, as well as romantic ones. His way of creation is influenced by Turner and Bonington both on a grand and micro scale."Evening on the Coast of La Manche" is a good example of learning from these masters. The light and shade arrangement of the picture has a decorative effect. The masts of the stranded ships cut through the overcast sky, the drooping sails fanned in tragic vain, and the hull remained forever on an unfinished course. As the busy
fishermen finish their work in the dark corner, our eyes are taken to the distant cliffs partially visible in the sun. These clever details show that his paintings stand up to bold partial scrutiny.
2:
Jules Noel （1818-1881）
La débarque de poisons
Vers 1852
50.5 x 32.5 cm
Huile sur toile
Born in Campere, France, Noel studied painting at an early age under the guidance of his father and is considered a pioneer of Impressionism.He specialises in two subjects: landscape and sea, and is based mainly in Normandy and Brittany. Noel participated in the Salon art exhibition between 1840 and1879, and he also taught painting. ln 1845 he was commissioned to create sculptural illustrations for Maurice Alhoy's Bagna: Historical Types, Mysterious Things.
Although born in a city, Noel prefers the seaside. His paintings often show waves crashing on rocks, stranded ships and shipwrecks. The traditional skills he mastered, after strict training, are still very heavy, similar to the painting style of the Dutch school. Driven by this style, his sea is often choppy, full of tragic colors, detailed and picturesque reality. The freedom of the frame reflects a romantic vision, like a meditation on fate, as if there is an established convention behind the genre, which is to express symbolic metaphysics.
Eugène Lepoitevin
Soleil du soir sur les côtes de la Manche
1831
76.5 x 102.5 cm
Huile sur toile
Lepotvin often received official orders for historical themes, and he was at home with inspiring realist paintings, as well as romantic ones. His way of creation is influenced by Turner and Bonington both on a grand and micro scale."Evening on the Coast of La Manche" is a good example of learning from these masters. The light and shade arrangement of the picture has a decorative effect. The masts of the stranded ships cut through the overcast sky, the drooping sails fanned in tragic vain, and the hull remained forever on an unfinished course. As the busy
fishermen finish their work in the dark corner, our eyes are taken to the distant cliffs partially visible in the sun. These clever details show that his paintings stand up to bold partial scrutiny.
2:
Jules Noel （1818-1881）
La débarque de poisons
Vers 1852
50.5 x 32.5 cm
Huile sur toile
Born in Campere, France, Noel studied painting at an early age under the guidance of his father and is considered a pioneer of Impressionism.He specialises in two subjects: landscape and sea, and is based mainly in Normandy and Brittany. Noel participated in the Salon art exhibition between 1840 and1879, and he also taught painting. ln 1845 he was commissioned to create sculptural illustrations for Maurice Alhoy's Bagna: Historical Types, Mysterious Things.
Although born in a city, Noel prefers the seaside. His paintings often show waves crashing on rocks, stranded ships and shipwrecks. The traditional skills he mastered, after strict training, are still very heavy, similar to the painting style of the Dutch school. Driven by this style, his sea is often choppy, full of tragic colors, detailed and picturesque reality. The freedom of the frame reflects a romantic vision, like a meditation on fate, as if there is an established convention behind the genre, which is to express symbolic metaphysics.
这对，我们的人，大有帮助 （This will really help our people）...
- Elon Musk 放水养鱼 - Tesla Berlin早班通勤列车
根据勃兰登堡州基础设施部长Rainer Genilke的说法，这条铁路将于4月1日开始运营，从柏林到特斯拉超级工厂只需40分钟，“这主要是为早班计划的。列车将于早上5:01离开柏林-利希滕贝格，并于早上5:41到达特斯拉Süd站。”
据特斯拉称，柏林工厂拥有约1.2万名员工，大多来自柏林。
这就是为什么扩大与柏林的联系将在缓解工厂附近的道路拥堵和减少汽车对环境的有害影响方面发挥重要作用。
这趟列车将是对已经开往柏林工厂的通勤列车的补充，后者自去年9月以来一直在特斯拉工厂运行。
电动汽车分析师索耶·梅瑞特在X平台上分享了这一消息，马斯克回应称：
“这对我们的人大有帮助。”
- Elon Musk 放水养鱼 - Tesla Berlin早班通勤列车
根据勃兰登堡州基础设施部长Rainer Genilke的说法，这条铁路将于4月1日开始运营，从柏林到特斯拉超级工厂只需40分钟，“这主要是为早班计划的。列车将于早上5:01离开柏林-利希滕贝格，并于早上5:41到达特斯拉Süd站。”
据特斯拉称，柏林工厂拥有约1.2万名员工，大多来自柏林。
这就是为什么扩大与柏林的联系将在缓解工厂附近的道路拥堵和减少汽车对环境的有害影响方面发挥重要作用。
这趟列车将是对已经开往柏林工厂的通勤列车的补充，后者自去年9月以来一直在特斯拉工厂运行。
电动汽车分析师索耶·梅瑞特在X平台上分享了这一消息，马斯克回应称：
“这对我们的人大有帮助。”
#早安心语##外国文学#
THE WIND AND THE LEAVES
风儿和树叶
作者：乔治·库柏
"Come, little leaves,"
said the wind one day.
一天，风儿说：
“过来，小叶子
"Come o'er the meadows with me,
and play;
和我一起去牧场玩吧
Put on your dress
of red and gold
穿上你红色金色的裙子
Summer is gone,
and the days grow cold."
夏天过去
天气变凉了
Soon as the leaves
heard the wind's loud call,
叶子听到风儿大声召唤
Down they came fluttering,
one and all;
所有的叶子都落了下来
Over the brown fields
they danced and flew,
在棕色的原野上
它们飞舞着
Singing the soft little songs
they knew.
唱着它们会唱的柔美的歌
"Cricket, good-by,
we've been friends so long;
蟋蟀，再见了
我们是老朋友
Little brook, sing us
your farewell song, —
小溪为我们唱着告别曲
Say you are sorry
to see us go
看到我们离开很难过
Ah! you will miss us,
right well we know.
啊，你要离开我们了
我们知道
"Dear little lambs,
in your fleecy fold,
“亲爱的小羊羔
在毛茸茸的羊群里
Mother will keep you
from harm and cold;
羊妈妈会保护你们
不受伤、不着凉
Fondly we've watched you
in vale and glade;
我们会在山谷和林间
深情地望着你们
Say, will you dream
of our loving shade?"
告诉我
你们会梦到我们美好的荫凉吗？”
Dancing and whirling,
the little leaves went;
飞舞着，旋转着
小叶子走了
Winter had called them,
and they were content.
冬天在召唤
它们心甘情愿
Soon fast asleep
in their earthy beds,
它们很快入睡
大地为床
The snow laid a coverlet
over their heads.
雪花为被
轻轻盖在它们的头上
— E·N·D —
THE WIND AND THE LEAVES
风儿和树叶
作者：乔治·库柏
"Come, little leaves,"
said the wind one day.
一天，风儿说：
“过来，小叶子
"Come o'er the meadows with me,
and play;
和我一起去牧场玩吧
Put on your dress
of red and gold
穿上你红色金色的裙子
Summer is gone,
and the days grow cold."
夏天过去
天气变凉了
Soon as the leaves
heard the wind's loud call,
叶子听到风儿大声召唤
Down they came fluttering,
one and all;
所有的叶子都落了下来
Over the brown fields
they danced and flew,
在棕色的原野上
它们飞舞着
Singing the soft little songs
they knew.
唱着它们会唱的柔美的歌
"Cricket, good-by,
we've been friends so long;
蟋蟀，再见了
我们是老朋友
Little brook, sing us
your farewell song, —
小溪为我们唱着告别曲
Say you are sorry
to see us go
看到我们离开很难过
Ah! you will miss us,
right well we know.
啊，你要离开我们了
我们知道
"Dear little lambs,
in your fleecy fold,
“亲爱的小羊羔
在毛茸茸的羊群里
Mother will keep you
from harm and cold;
羊妈妈会保护你们
不受伤、不着凉
Fondly we've watched you
in vale and glade;
我们会在山谷和林间
深情地望着你们
Say, will you dream
of our loving shade?"
告诉我
你们会梦到我们美好的荫凉吗？”
Dancing and whirling,
the little leaves went;
飞舞着，旋转着
小叶子走了
Winter had called them,
and they were content.
冬天在召唤
它们心甘情愿
Soon fast asleep
in their earthy beds,
它们很快入睡
大地为床
The snow laid a coverlet
over their heads.
雪花为被
轻轻盖在它们的头上
— E·N·D —
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