苏联纳西莫夫奖章，铜质镀金，好品相，号段：“6166”，属于季姆巴尔同志，对日作战，缴获满洲船，包含部分电子档案。
USSR Medal of “Admiral Nakhimov” #6166 with research.
Medal of “Admiral Nakhimov” is variation with serial number applied by small stamped number, can be found in range of numbers 6005 – 16952 (V3). Medal is awarded to soldiers and sailors, sergeants and petty officers, warrant officers and warrant officers of Navy and naval units of frontier troops for: skilled, enterprising and bold actions that contributed to the successful accomplishment of combat missions ships and units in the naval theaters, courage shown while defending state maritime border of the USSR, During the dedication shown by the performance of military duty, or other services at the time of completion of active military service under conditions involving a risk to life. Total awarded around 14 020 peoples.
Tsymbal Grigory Yakovlevich (Цымбал Григорий Яковлевич) – petty officer 2nd class, male, birth in 1919, member of CPSU since 1944, education 6 classes, Ukrainian, served in Red Army from September 1939 to 1945.
Was awarded by:
Medal of “Admiral Nakhimov” #6168
Medal of “Admiral Nakhimov” #6168 awarded for:
TSYMBAL Grigory Yakovlevich – petty officer 2nd class, commander of artillerymen sailors of division of ships of 56 Red Banner border squad of NKVD of Khabarovsk district.
In August 9, 1945 TSYMBAL participated in capturing of Manchurian steamship and during performing his duties showed tenacity and skills in combat actions.
Boat constantly performed combat tasks of delivery of landing groups of sailors.
In August 10, 1945 during loading on boat cannon bridge began to bend and he jumped into water and by his back hold bridge and cannon was successfully loaded on boat.
CONCLUSION: Deserves awarding by medal FOR MILITARY MERIT.
CHIEF OF 56 border squad of NKVD of Khabarovsk district
COLONEL – CHULKOV.
“8” September 1945.
But higher award commission after reading his feat decided award him by lower grade award – medal of “Admiral Nakhimov”.
Small artillery’s boat with bridge.
USSR Medal of “Admiral Nakhimov” #6166 with research.
Medal of “Admiral Nakhimov” is variation with serial number applied by small stamped number, can be found in range of numbers 6005 – 16952 (V3). Medal is awarded to soldiers and sailors, sergeants and petty officers, warrant officers and warrant officers of Navy and naval units of frontier troops for: skilled, enterprising and bold actions that contributed to the successful accomplishment of combat missions ships and units in the naval theaters, courage shown while defending state maritime border of the USSR, During the dedication shown by the performance of military duty, or other services at the time of completion of active military service under conditions involving a risk to life. Total awarded around 14 020 peoples.
Tsymbal Grigory Yakovlevich (Цымбал Григорий Яковлевич) – petty officer 2nd class, male, birth in 1919, member of CPSU since 1944, education 6 classes, Ukrainian, served in Red Army from September 1939 to 1945.
Was awarded by:
Medal of “Admiral Nakhimov” #6168
Medal of “Admiral Nakhimov” #6168 awarded for:
TSYMBAL Grigory Yakovlevich – petty officer 2nd class, commander of artillerymen sailors of division of ships of 56 Red Banner border squad of NKVD of Khabarovsk district.
In August 9, 1945 TSYMBAL participated in capturing of Manchurian steamship and during performing his duties showed tenacity and skills in combat actions.
Boat constantly performed combat tasks of delivery of landing groups of sailors.
In August 10, 1945 during loading on boat cannon bridge began to bend and he jumped into water and by his back hold bridge and cannon was successfully loaded on boat.
CONCLUSION: Deserves awarding by medal FOR MILITARY MERIT.
CHIEF OF 56 border squad of NKVD of Khabarovsk district
COLONEL – CHULKOV.
“8” September 1945.
But higher award commission after reading his feat decided award him by lower grade award – medal of “Admiral Nakhimov”.
Small artillery’s boat with bridge.
1:
Eugène Delacroix
Falaises à Dieppe
Vers 1834
12.8 x 16.8 cm
Aquarelle sur papier
In 1832, Delacroix made a trip to Morocco, which gave him a personal experience of the ancient Roman era and influenced the use of color in his paintings. It is often overlooked the role that Normandy played in his youth. He visited Normandy from 1813 to 1860. Trees, buildings, cliffs, waves and so on are concentrated in Dieppe. He painted both Morocco and Normandy during his career. We can find traces of Normandy in many watercolors, as well as related themes in pen-and pencil, watercolor and pastel works, which were first photographed in nature and then painted in the studio. He wrote in his diary in 1857: "When we cast our gaze upon the objects around us, whether landscape or interior, we notice that there is a connection between the objects which is produced by the atmosphere. The atmosphere that surrounds them and the various reflections that result from it make all objects a harmonious scene." His understanding ofatmospheric reflection led him to blur the Outlines of objects in his paintings. This is the core technique for painting objects in lmpressionist paintings.
2:
Pierre Bonnard （1867-1947）
Le bassin des Yachts à Deauville
Vers 1910
40 x 49 cm
Huile sur toile
Bonnard was a French painter, illustrator, and printmaker known for his stylized decorations and bold use of color. He specialises in landscapes, urban scenes, portraits and intimate family scenes. Pay special attention to background, color and painting style. He was a founding member of the Nabi School and a leading figure in the transition from lmpressionism to modernism. Bonnard is known for his color and is regarded as one of the greatest color painters of the 20th century. His greatest artistic feature is that he does not simply imitate nature, but subjectively deals with the depicted objects through the exploration of painting elements such as space, light, color and composition.
Bonnard met Monet in Villnon in 1912. He did not fully embrace open landscapes, preferring gardens instead. No matter what the subject, he first tries to capture scattered light and shadow and arrange it on a slanted easel. In "Marina de Deauville," Bonnard does not present this theme from the side, but rather integrates it into a conceived model that conforms to psychology. The water, the ships, the masts, the hills and the bell tower together form a moonlit night, which is naturally brought together. The vertical arrangement of the elements respects the planar space of the pattern. The blue color cleverly unifies the picture, while the white side of the boat gives the picture a sense of rhythm. In addition, brown lines are used on the deck and outline of the boat to reflect the structure of the picture.
Eugène Delacroix
Falaises à Dieppe
Vers 1834
12.8 x 16.8 cm
Aquarelle sur papier
In 1832, Delacroix made a trip to Morocco, which gave him a personal experience of the ancient Roman era and influenced the use of color in his paintings. It is often overlooked the role that Normandy played in his youth. He visited Normandy from 1813 to 1860. Trees, buildings, cliffs, waves and so on are concentrated in Dieppe. He painted both Morocco and Normandy during his career. We can find traces of Normandy in many watercolors, as well as related themes in pen-and pencil, watercolor and pastel works, which were first photographed in nature and then painted in the studio. He wrote in his diary in 1857: "When we cast our gaze upon the objects around us, whether landscape or interior, we notice that there is a connection between the objects which is produced by the atmosphere. The atmosphere that surrounds them and the various reflections that result from it make all objects a harmonious scene." His understanding ofatmospheric reflection led him to blur the Outlines of objects in his paintings. This is the core technique for painting objects in lmpressionist paintings.
2:
Pierre Bonnard （1867-1947）
Le bassin des Yachts à Deauville
Vers 1910
40 x 49 cm
Huile sur toile
Bonnard was a French painter, illustrator, and printmaker known for his stylized decorations and bold use of color. He specialises in landscapes, urban scenes, portraits and intimate family scenes. Pay special attention to background, color and painting style. He was a founding member of the Nabi School and a leading figure in the transition from lmpressionism to modernism. Bonnard is known for his color and is regarded as one of the greatest color painters of the 20th century. His greatest artistic feature is that he does not simply imitate nature, but subjectively deals with the depicted objects through the exploration of painting elements such as space, light, color and composition.
Bonnard met Monet in Villnon in 1912. He did not fully embrace open landscapes, preferring gardens instead. No matter what the subject, he first tries to capture scattered light and shadow and arrange it on a slanted easel. In "Marina de Deauville," Bonnard does not present this theme from the side, but rather integrates it into a conceived model that conforms to psychology. The water, the ships, the masts, the hills and the bell tower together form a moonlit night, which is naturally brought together. The vertical arrangement of the elements respects the planar space of the pattern. The blue color cleverly unifies the picture, while the white side of the boat gives the picture a sense of rhythm. In addition, brown lines are used on the deck and outline of the boat to reflect the structure of the picture.
武夷岩茶在乌龙茶爱好者中享有盛誉。独特的生长环境与制作技艺创造了其独特的“岩骨花香”。#好吃客# #福建#
Cultivated in the rocky terrain of the Wuyi Mountains in Southeast China, Wuyi Rock Tea is highly regarded among oolong aficionados. Notable varieties such as Dahongpao highlight the traditional tea craft, which relies on special oxidation and roasting techniques. At a local tea ceremony, the unfurling leaves hint at the tea’s bold and robust character, which reveals itself in mineral notes, subtle sweetness and a deep finish. It’s a journey into Chinese tea culture.
Cultivated in the rocky terrain of the Wuyi Mountains in Southeast China, Wuyi Rock Tea is highly regarded among oolong aficionados. Notable varieties such as Dahongpao highlight the traditional tea craft, which relies on special oxidation and roasting techniques. At a local tea ceremony, the unfurling leaves hint at the tea’s bold and robust character, which reveals itself in mineral notes, subtle sweetness and a deep finish. It’s a journey into Chinese tea culture.
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