《爱的勘探法》还挺上头的诶！虽然剧本在有些地方没有说清楚[抱一抱]
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时隔几天，今天才想起来打开这部剧，看了几集发现还可以诶[憧憬]（不愧是在流量们的剧扎堆的这个暑期档还能鲨出一条路，坚强上榜的剧）
剧情设定上蛮有意思的，有我喜欢看的替身文学[哇]主要角色的颜值都过关，尤其是CC宋妍霏真的美炸[哇][哇][哇]

在阿甘本的《敞开：人与动物》（The Open: Human and Animal）中，阿甘本就借用了末世怪兽的形象，说明了人与非人之间的界限将逐渐变得模糊。

特别是当他运用德国生物学家冯·尤克斯考尔（Von Uxküll）关于环世界（ Umwelt）的研究时，他发现人的存在不仅在于自己的内在生命，而且在于通过某种外在的技能，将自己纳入一个环世界之中，环世界不同于外在世界，它是让人类得以栖居的设计，人类倚靠自己的技能和技术，筑造了我们的现代世界。

不过，一旦这种技术不仅仅由人类完成，其他的非人生命，如人工智能也参与这个过程，那么我们是否可以断定这个世界仍然是人类本身的世界，是按照人类本身的身体条件筑造的世界？

如果由非人类筑造的世界反过来要求人类的身体和基因与之相适应，并不得不改造自己的身体和器官，那么人类是否还像法国哲学家梅洛 -庞蒂描述的那样，通过身体来建立一个世界的意义？
The end of human history is an event that has been foreseen or announced by both messianics and dialecticians. But who is the protagonist of that history that is coming―or has come―to a close? What is man? How did he come on the scene? And how has he maintained his privileged place as the master of, or first among, the animals? In The Open, contemporary Italian philosopher Giorgio Agamben considers the ways in which the "human" has been thought of as either a distinct and superior type of animal, or a kind of being that is essentially different from animal altogether. In an argument that ranges from ancient Greek, Christian, and Jewish texts to twentieth-century thinkers such as Heidegger, Benjamin, and Kojève, Agamben examines the ways in which the distinction between man and animal has been manufactured by the logical presuppositions of Western thought, and he investigates the profound implications that the man/animal distinction has had for disciplines as seemingly disparate as philosophy, law, anthropology, medicine, and politics.
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