昨天被友人拉去看Hilma af Klint (阿芙·克林特) 和Mondrian (蒙德里安）在Tate的展。
不得不说这个展布的太好了。af Klint是一个与Mondrian同时期（十九世纪末到二十世纪初）的画家，她在在世的时候并不是非常有名气，后世再研究的时候才发现她的才华。（马上可以比心的是这个展没有只聚焦在大师Mondrian上，而是用当代的顶流带出当时的历史脉络还有两人相似但是又有显著不同的思考过程）
af Klint和Mondrian都从画植物开始，在画树的时候开始走向抽象。但是两位一个走向了直线，一个走向了螺旋。
用色上也非常不同，三原色对比橙色、粉色和淡蓝色。
策展团队把两个人的思想脉络还原的特别好，其中包括林奈分类法，心理分析还有显微镜对视觉和认知的改变，以及一战的影响。
看展的时候一个句子抓住了我：
“These materials reveal af Klint and Mondiran's deep rooted connection to ecology - that is, an immense but fragile network of connections between all living things ”
从《空间的诗学》（之前给大家推过）开始就特别沉迷菊石。在展出的终章future看到两米乘三米左右的的大画作中af Klint 最后走向巨大而简单的螺旋。
她让我对以前嗤之以鼻的粉红和淡蓝（常常嬉称为baby blue baby pink) 产生了一种敬畏：
或许至关重要的生命选择不仅有当初向左旋或是向右旋的轻盈，还有漫长的生长、许诺后对于那个螺旋中心的回看。
所谓的形式表现出来的抽象的生命的实质，或许就是这样一些个稚嫩的螺旋。
（ps: 友人是一个“爱一个人就要把一切都给ta”的人，她在看展前送了我龟背竹，在看展过程中精心拍下我们，还在纪念品店给我买了粉色菊石。
不得不说这个展布的太好了。af Klint是一个与Mondrian同时期（十九世纪末到二十世纪初）的画家，她在在世的时候并不是非常有名气，后世再研究的时候才发现她的才华。（马上可以比心的是这个展没有只聚焦在大师Mondrian上，而是用当代的顶流带出当时的历史脉络还有两人相似但是又有显著不同的思考过程）
af Klint和Mondrian都从画植物开始，在画树的时候开始走向抽象。但是两位一个走向了直线，一个走向了螺旋。
用色上也非常不同，三原色对比橙色、粉色和淡蓝色。
策展团队把两个人的思想脉络还原的特别好，其中包括林奈分类法，心理分析还有显微镜对视觉和认知的改变，以及一战的影响。
看展的时候一个句子抓住了我：
“These materials reveal af Klint and Mondiran's deep rooted connection to ecology - that is, an immense but fragile network of connections between all living things ”
从《空间的诗学》（之前给大家推过）开始就特别沉迷菊石。在展出的终章future看到两米乘三米左右的的大画作中af Klint 最后走向巨大而简单的螺旋。
她让我对以前嗤之以鼻的粉红和淡蓝（常常嬉称为baby blue baby pink) 产生了一种敬畏：
或许至关重要的生命选择不仅有当初向左旋或是向右旋的轻盈，还有漫长的生长、许诺后对于那个螺旋中心的回看。
所谓的形式表现出来的抽象的生命的实质，或许就是这样一些个稚嫩的螺旋。
（ps: 友人是一个“爱一个人就要把一切都给ta”的人，她在看展前送了我龟背竹，在看展过程中精心拍下我们，还在纪念品店给我买了粉色菊石。
Yves Saint Laurent, in Beijing, 1985.
During the peak of his career, Yves Saint Laurent curated a 200-piece fashion exhibition at the Palace of Fine Arts in Beijing, featuring an array of clothing from Mondrian-inspired dresses to wool suits, beaded tunics, and slim skirts.
Yves Saint Laurent, born in 1936, established his own fashion brand at the age of 26 in 1962, and had nearly three decades of experience in fashion design by the time he visited China. He was recognized for his laid-back elegance and his advocacy for high-end ready-to-wear fashion.
In addition to the exhibit, he explored Tiananmen Square, watched the Peking Opera, and held discussions with Chinese fashion students while in Beijing. Of the visit, Saint Laurent said:“I have always been inspired by the art of China… China is the cradle of silk. Without China, maybe I wouldn’t be here.”
During the peak of his career, Yves Saint Laurent curated a 200-piece fashion exhibition at the Palace of Fine Arts in Beijing, featuring an array of clothing from Mondrian-inspired dresses to wool suits, beaded tunics, and slim skirts.
Yves Saint Laurent, born in 1936, established his own fashion brand at the age of 26 in 1962, and had nearly three decades of experience in fashion design by the time he visited China. He was recognized for his laid-back elegance and his advocacy for high-end ready-to-wear fashion.
In addition to the exhibit, he explored Tiananmen Square, watched the Peking Opera, and held discussions with Chinese fashion students while in Beijing. Of the visit, Saint Laurent said:“I have always been inspired by the art of China… China is the cradle of silk. Without China, maybe I wouldn’t be here.”
【追加投资超10亿人民币，西门子医疗加码深圳研发制造基地】Siemens Shenzhen Magnetic Resonance Ltd. (SSMR) announced yesterday an additional investment of over 1 billion yuan (US$142.26 million) to establish a cutting-edge research and development (R&D) and production site in Shenzhen, reinforcing its leading position in a market which it believes has great potential.
https://t.cn/A6pPtfLl
https://t.cn/A6pPtfLl
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