目前阿姆歌曲Spotify播放量排名，Lose Yourself无法撼动。
1. Lose Yourself — 1,740,766,385
2. Till I Collapse — 1,626,840,764
3. Without Me — 1,577,231,131
4. The Real Slim Shady — 1,338,608,161
5. Love The Way You Lie (feat. Rihanna) — 1,179,351,172
6. Godzilla (feat. Juice WRLD) — 1,129,590,591
7. Mockingbird — 1,100,400,523
8. Rap God — 946,807,285
9. Stan — 866,342,276
10. The Monster — 844,022,578
1. Lose Yourself — 1,740,766,385
2. Till I Collapse — 1,626,840,764
3. Without Me — 1,577,231,131
4. The Real Slim Shady — 1,338,608,161
5. Love The Way You Lie (feat. Rihanna) — 1,179,351,172
6. Godzilla (feat. Juice WRLD) — 1,129,590,591
7. Mockingbird — 1,100,400,523
8. Rap God — 946,807,285
9. Stan — 866,342,276
10. The Monster — 844,022,578
【每日一黑膠】1486 Classical《Pictures at an Exhibition; Night on Bald Mountain》
1979 Telarc DG-10042 Pictures at an Exhibition; Night on Bald Mountain
A1. Night On Bald Mountain
Pictures At An Exhibition
A2. Part One
B. Part Two
Recorded At – Masonic Auditorium, Cleveland
Edited At – Soundstream, Inc.
Mastered At – JVC Cutting Center
Distributed By – Audio International Vertriebs GmbH
Phonographic Copyright ℗ – Telarc Records
Copyright © – Telarc Records
Record Company – Baron Productions Ltd.
Pressed By – Teldec-Press GmbH
Composed By – Ravel* (tracks: A2, B), Moussorgsky*, Rimsky-Korsakov* (tracks: A1)
Conductor – Lorin Maazel
Engineer [Sound Engineer] – Jack Renner
Liner Notes – Michael Murray (4)
Mastered By, Technician [Technical Consultant] – Stan Ricker
Orchestra – The Cleveland Orchestra
Photography By [Lorin Maazel] – Jack Renner
Producer – Robert Woods (2)
Recorded By [Digital Recording], Edited By – Bob Ingebretsen, Bruce Rothaar, Jim Youngberg, Jules Bloomenthal, Thomas Stockham
Recorded in Masonic Auditorium, Cleveland, Ohio, October 20, 1978.
Mastered at JVC Cutting Center
Produced in cooperation with Baron Productions, Ltd.
This recording was mastered using the Soundstream Digital Recording System
1979 Telarc DG-10042 Pictures at an Exhibition; Night on Bald Mountain
A1. Night On Bald Mountain
Pictures At An Exhibition
A2. Part One
B. Part Two
Recorded At – Masonic Auditorium, Cleveland
Edited At – Soundstream, Inc.
Mastered At – JVC Cutting Center
Distributed By – Audio International Vertriebs GmbH
Phonographic Copyright ℗ – Telarc Records
Copyright © – Telarc Records
Record Company – Baron Productions Ltd.
Pressed By – Teldec-Press GmbH
Composed By – Ravel* (tracks: A2, B), Moussorgsky*, Rimsky-Korsakov* (tracks: A1)
Conductor – Lorin Maazel
Engineer [Sound Engineer] – Jack Renner
Liner Notes – Michael Murray (4)
Mastered By, Technician [Technical Consultant] – Stan Ricker
Orchestra – The Cleveland Orchestra
Photography By [Lorin Maazel] – Jack Renner
Producer – Robert Woods (2)
Recorded By [Digital Recording], Edited By – Bob Ingebretsen, Bruce Rothaar, Jim Youngberg, Jules Bloomenthal, Thomas Stockham
Recorded in Masonic Auditorium, Cleveland, Ohio, October 20, 1978.
Mastered at JVC Cutting Center
Produced in cooperation with Baron Productions, Ltd.
This recording was mastered using the Soundstream Digital Recording System
#Stan's bad taste time#
国内独立/livehouse风格乐队“鉴赏”第十一支。
Fine乐团。
这估计也是一支很多年轻人非常喜欢的livehouse乐队吧，看着他们每首歌下面都是999+的，充满各种情感的评论就可见一斑，他作品基本是描写爱情的遗憾、失去、不可得，emo时听估计会深有体会。女主唱的嗓音也很适合这类风格的歌曲，但是感觉辨识度不高。个人感觉他们更像一个流行乐队，或者说流行组合，不像独立乐队。每首歌的旋律、节奏都听起来感觉会很相似。
听完之后的感受就是...和听告五人时的感受差不多。我的耳朵的音乐“癖好”让我对他们的音乐没有很强烈的感觉，当然这是非常个人、非常主观的评价。。
作品推荐：《圈套》、《阳光下的黑暗》。
国内独立/livehouse风格乐队“鉴赏”第十一支。
Fine乐团。
这估计也是一支很多年轻人非常喜欢的livehouse乐队吧，看着他们每首歌下面都是999+的，充满各种情感的评论就可见一斑，他作品基本是描写爱情的遗憾、失去、不可得，emo时听估计会深有体会。女主唱的嗓音也很适合这类风格的歌曲，但是感觉辨识度不高。个人感觉他们更像一个流行乐队，或者说流行组合，不像独立乐队。每首歌的旋律、节奏都听起来感觉会很相似。
听完之后的感受就是...和听告五人时的感受差不多。我的耳朵的音乐“癖好”让我对他们的音乐没有很强烈的感觉，当然这是非常个人、非常主观的评价。。
作品推荐：《圈套》、《阳光下的黑暗》。
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