有的客户真的是多余长嘴,明明可以说你们再尽量帮助我解决下问题,却偏偏要说我们offer no any progress[微笑]ok fine
阴阳怪气的客户我从不惯着,阴阳回去就完了。
e.g
cx:The problem makes me hesitate if I should continue to use MS product
我心里:你爱用不用你用google去吧
我回信:balabalabalabala……Thanks for choosing Microsoft[太开心]
cx:you shouldn’t just leave the ticket here with no any progress
我心里:呵呵,客服的命也是命,打白工是不可能的
我回信: apologize that… as.. we did everything we can… we are willing to but… sincerely hope…
Apologize again for ONLY offering with a little HELP[太开心]
来嘛,看谁嘴硬
阴阳怪气的客户我从不惯着,阴阳回去就完了。
e.g
cx:The problem makes me hesitate if I should continue to use MS product
我心里:你爱用不用你用google去吧
我回信:balabalabalabala……Thanks for choosing Microsoft[太开心]
cx:you shouldn’t just leave the ticket here with no any progress
我心里:呵呵,客服的命也是命,打白工是不可能的
我回信: apologize that… as.. we did everything we can… we are willing to but… sincerely hope…
Apologize again for ONLY offering with a little HELP[太开心]
来嘛,看谁嘴硬
Jubilee - Japanese Breakfast
上周一直在听的一张专辑是Japanese Breakfast的Jubilee,封面上金黄的色调和悬挂的柿子已经预示了音乐的面貌,这是一场对情绪的丰收和对成长的庆典。闪亮而明丽的合成器、积极的人声、饱满的弦乐和铜管、时而跳跃时而感伤的情绪,都使得这张清新而精致的流行专辑具有秋天般的丰饶。
专辑的第一首歌叫作Paprika,曲名来自今敏的同名电影。我现在听这首歌还是会很着迷,想起第一回听Art Angels的感觉。这首盛大的开场曲里不知道铺了多少条音轨,各式各样的声响彼此重叠,最终呈现出了一种梦幻般的、在四个季节中游走的氛围。舒缓的弦乐展开了明媚的帷幕,叮咚声如春日的水流经过,风声吹来冬天的冰凉,延长的擦片是夏天的雷阵雨,铜管则作为最突出的部分让这首歌有了节日庆典般的主调。不管是在听觉层面还是文本层面,它都是一首对音乐本身的赞歌:
How's it feel to be at the center of magic, to linger in tones and words?
I opened the floodgates and found no water, no current, no river, no rush.
How's it feel to stand at the height of your powers to captivate every heart?
Projecting your visions to strangers who feel it, who listen, who linger on every word.
Oh it's a rush.
作为陌生人的我们聆听着这首歌,在每一个词语和音调上停留,欢喜,谁能说这不是一种奇幻的体验呢?
紧接着,Be Sweet的流行程度就像Madonna在80年代的summer hit,第三首Kokomo, IN则是一首讲述在年轻时错过心爱之人的温柔的民谣。Slide Tackle是专辑中最有趣的歌曲,弹跳的音效形象地传达了过载的思绪在大脑里四处撞击的感受,而拉长的人声、乘风的萨克斯和小号又时不时地让这些思绪摆脱束缚,放飞出去,骑车的时候听这首歌,会忍不住走“S”形路线。而专辑中心的Posing Bondage可以说最具匠心的一首,在阴雾笼罩的两分半钟之后,整首歌随着鼓点的切入开始升温,最后在奇异的和声与清脆的敲击旋律中进入了属于这张专辑的高光时刻。(这一段的旋律让我想到了万能青年旅店《大石碎胸口》的结尾部分,挺奇妙的巧合)专辑中不多的shoegaze元素在Sit中初现,而在最后一首Posing For Cars中,扩展成了一段有些炫技的华彩段落。
Michelle Zauner在这张专辑的一开始,就已高调地把音乐瞄准了快乐的靶心,因此即便是在悲伤的曲子中,也会有活泼的吉他预告转机的到来。Jubilee是一张我以后会在秋天常听的专辑,不过目前,先在春天听个几(十)遍吧。
上周一直在听的一张专辑是Japanese Breakfast的Jubilee,封面上金黄的色调和悬挂的柿子已经预示了音乐的面貌,这是一场对情绪的丰收和对成长的庆典。闪亮而明丽的合成器、积极的人声、饱满的弦乐和铜管、时而跳跃时而感伤的情绪,都使得这张清新而精致的流行专辑具有秋天般的丰饶。
专辑的第一首歌叫作Paprika,曲名来自今敏的同名电影。我现在听这首歌还是会很着迷,想起第一回听Art Angels的感觉。这首盛大的开场曲里不知道铺了多少条音轨,各式各样的声响彼此重叠,最终呈现出了一种梦幻般的、在四个季节中游走的氛围。舒缓的弦乐展开了明媚的帷幕,叮咚声如春日的水流经过,风声吹来冬天的冰凉,延长的擦片是夏天的雷阵雨,铜管则作为最突出的部分让这首歌有了节日庆典般的主调。不管是在听觉层面还是文本层面,它都是一首对音乐本身的赞歌:
How's it feel to be at the center of magic, to linger in tones and words?
I opened the floodgates and found no water, no current, no river, no rush.
How's it feel to stand at the height of your powers to captivate every heart?
Projecting your visions to strangers who feel it, who listen, who linger on every word.
Oh it's a rush.
作为陌生人的我们聆听着这首歌,在每一个词语和音调上停留,欢喜,谁能说这不是一种奇幻的体验呢?
紧接着,Be Sweet的流行程度就像Madonna在80年代的summer hit,第三首Kokomo, IN则是一首讲述在年轻时错过心爱之人的温柔的民谣。Slide Tackle是专辑中最有趣的歌曲,弹跳的音效形象地传达了过载的思绪在大脑里四处撞击的感受,而拉长的人声、乘风的萨克斯和小号又时不时地让这些思绪摆脱束缚,放飞出去,骑车的时候听这首歌,会忍不住走“S”形路线。而专辑中心的Posing Bondage可以说最具匠心的一首,在阴雾笼罩的两分半钟之后,整首歌随着鼓点的切入开始升温,最后在奇异的和声与清脆的敲击旋律中进入了属于这张专辑的高光时刻。(这一段的旋律让我想到了万能青年旅店《大石碎胸口》的结尾部分,挺奇妙的巧合)专辑中不多的shoegaze元素在Sit中初现,而在最后一首Posing For Cars中,扩展成了一段有些炫技的华彩段落。
Michelle Zauner在这张专辑的一开始,就已高调地把音乐瞄准了快乐的靶心,因此即便是在悲伤的曲子中,也会有活泼的吉他预告转机的到来。Jubilee是一张我以后会在秋天常听的专辑,不过目前,先在春天听个几(十)遍吧。
ESPN巴西媒体通过利物浦回声报对阿利松进行了采访,阿利松谈到昨天在斯坦福桥与乔丹亨德森的争论:
“我和亨德森是两名斗士,我们都会为球队献出自己的所有。但在球场上,我们之间没有办法用‘请’这个词。”
“因此,有时情绪会很激动,但双方都会试图避免情绪化,以最好的方式为球队贡献自己的力量并试图提供帮助。当然,这很困难,本赛季是一个巨大的挑战。”
“我们是人,我们和其他人一样有情绪。当糟糕的事情发生时,我们会感到沮丧。当一切顺利时,我们会感到高兴。至于足球,与生活中不同的是,我们不能花很长时间去哀叹,这是足球好的一面。”
“当事情进展不顺利时,球队在比赛中踢得不好,那么在比赛两三天后,会有一个机会可以再次证明自己,所以这就是我们本赛季的挑战。每场比赛都将展示我们真正的能力,并作为一个团队一起竞技。”
Alisson Becker on his argument with Jordan Henderson last night:
"Me and Henderson, we are two people who fight, who give our lives for their team. And on the field there is no way to ask 'please'."
"So sometimes it seems that the mood is high, but it’s two people trying to fix it, do things in the best way for the team and try to help. Of course it’s been difficult, it’s been a great challenge [this season]."
"We are human beings and we feel as much as anyone else. We get frustrated when something negative happens. We rejoice when we are well. But football, the difference is that we can’t spend a long time lamenting because that’s the good side of football."
"When things are going badly, two, three days after a match that the team doesn’t play well, there’s already an opportunity that can show again. So that’s our challenge this season. Each game will show our real quality and play together as a team.”
#利物浦##亨德森##阿利松##切尔西vs利物浦##利物浦[超话]#
“我和亨德森是两名斗士,我们都会为球队献出自己的所有。但在球场上,我们之间没有办法用‘请’这个词。”
“因此,有时情绪会很激动,但双方都会试图避免情绪化,以最好的方式为球队贡献自己的力量并试图提供帮助。当然,这很困难,本赛季是一个巨大的挑战。”
“我们是人,我们和其他人一样有情绪。当糟糕的事情发生时,我们会感到沮丧。当一切顺利时,我们会感到高兴。至于足球,与生活中不同的是,我们不能花很长时间去哀叹,这是足球好的一面。”
“当事情进展不顺利时,球队在比赛中踢得不好,那么在比赛两三天后,会有一个机会可以再次证明自己,所以这就是我们本赛季的挑战。每场比赛都将展示我们真正的能力,并作为一个团队一起竞技。”
Alisson Becker on his argument with Jordan Henderson last night:
"Me and Henderson, we are two people who fight, who give our lives for their team. And on the field there is no way to ask 'please'."
"So sometimes it seems that the mood is high, but it’s two people trying to fix it, do things in the best way for the team and try to help. Of course it’s been difficult, it’s been a great challenge [this season]."
"We are human beings and we feel as much as anyone else. We get frustrated when something negative happens. We rejoice when we are well. But football, the difference is that we can’t spend a long time lamenting because that’s the good side of football."
"When things are going badly, two, three days after a match that the team doesn’t play well, there’s already an opportunity that can show again. So that’s our challenge this season. Each game will show our real quality and play together as a team.”
#利物浦##亨德森##阿利松##切尔西vs利物浦##利物浦[超话]#
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