人只要生活在这个世界上,就有很多烦恼,痛苦或是快乐,取决于你的内心。生活,无需复杂,只要简单就够了;我们的人生,应当有自己的目标,但这目标不一定在向前，也许在于拐弯。
As long as people live in this world, there are a lot of trouble, pain or happiness, depending on your heart. Life, need not be complex, as long as simple enough; Our life, should have their own goals, but this goal is not necessarily forward, perhaps is to turn.
As long as people live in this world, there are a lot of trouble, pain or happiness, depending on your heart. Life, need not be complex, as long as simple enough; Our life, should have their own goals, but this goal is not necessarily forward, perhaps is to turn.
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"敬你恣意蔓生的野心敬你永无止尽的青春Bestwishestoyou"
"从晨光熹微到红霞漫卷爱意从未落幕"
From dawn to hongxia.love never ends.
脱离新鲜感才是必杀技
Breaking away from novelty is a necessary skill.
"你与晚霞夕阳一样,都是世间宝藏"
You are as much a treasure as the sunset.
"你是黑夜耀眼的光,白昼绚烂的玫瑰"
You are the light of night, the rose of day.
you are still the reason for me to be gentle to the worl"
'你是让我对世界温柔的理由"
"敬你恣意蔓生的野心敬你永无止尽的青春Bestwishestoyou"
"从晨光熹微到红霞漫卷爱意从未落幕"
From dawn to hongxia.love never ends.
脱离新鲜感才是必杀技
Breaking away from novelty is a necessary skill.
"你与晚霞夕阳一样,都是世间宝藏"
You are as much a treasure as the sunset.
"你是黑夜耀眼的光,白昼绚烂的玫瑰"
You are the light of night, the rose of day.
you are still the reason for me to be gentle to the worl"
'你是让我对世界温柔的理由"
Bharatanatyam, has grown out of the art of dancers dedicated to temples in Indian state of Tamil Nadu. It is the first of India's traditional dances to be refashioned as a theatre art and to be exhibited widely both at home and abroad.
婆罗多舞是源于印度泰米尔纳德邦寺庙的舞蹈艺术。这是首个被重塑为戏剧艺术的的印度传统舞蹈，并在国内外广泛演出。
Bharatanatyam rests on principles of performance and an aesthetics set down in classics such as Bharata's Natyashastra. It has a rich repertoire of songs in Telugu, Tamil and Sanskrit. The present-day format of a Bharatanatyam recital, as well as a valuable part of its musical compositions, were created by the famed ‘Tanjore Quartet’ of the nineteenth century: the brothers Ponniah, Chinnaiah, Sivanandam and Vadivelu. Bharatanatyam has a highly evolved language of Nritta, abstract dance, and Nritya which unfolds the narrative.
婆罗多舞遵循表演原理和经典作品美学，如Bharata的Natyashastra。其泰卢固语、泰米尔语和梵语的表演曲目丰富。婆罗多舞现代独奏会形式，以及其音乐作品中重要组成部分，是由19世纪著名的“Tanjore Quartet”-Ponniah、Chinnaiah、Sivanandam和Vadivelu四兄弟创作而成。婆罗多舞是一种由Nrita、抽象舞蹈和Nritya进行叙事的高度进化的艺术语言。
The themes have a wide range spanning human and divine love, and are generally classed under the rubric of shringara (romantic love) and Bhakti (devotion). The music of Bharatanatyam belongs to the Carnatic system of southern India. The musicians accompanying a dance recital include at least one vocalist, a Mridangam (drum)-player, and a flutist or violinist or Veena (lute)-player. The group also includes a Nattuvanar, or dance conductor, who recites the dance syllables as he plays a pair of small bronze cymbals.
这些主题涵盖了人类和神灵的爱，通常被归为shringara（浪漫的爱）和Bhakti（奉献）两类。婆罗多舞的音乐属于印度南部的Carnatic流派。参加舞蹈独奏会的音乐家包括至少一名声乐家、一名Mridangam（鼓）演奏家、一位长笛演奏家、小提琴演奏家或Veena（琉特琴 ）演奏家。该小组还包括一名Nattuvanar，或者舞蹈指挥家，一边演奏一对小铜钹一边背诵舞蹈音节。
婆罗多舞是源于印度泰米尔纳德邦寺庙的舞蹈艺术。这是首个被重塑为戏剧艺术的的印度传统舞蹈，并在国内外广泛演出。
Bharatanatyam rests on principles of performance and an aesthetics set down in classics such as Bharata's Natyashastra. It has a rich repertoire of songs in Telugu, Tamil and Sanskrit. The present-day format of a Bharatanatyam recital, as well as a valuable part of its musical compositions, were created by the famed ‘Tanjore Quartet’ of the nineteenth century: the brothers Ponniah, Chinnaiah, Sivanandam and Vadivelu. Bharatanatyam has a highly evolved language of Nritta, abstract dance, and Nritya which unfolds the narrative.
婆罗多舞遵循表演原理和经典作品美学，如Bharata的Natyashastra。其泰卢固语、泰米尔语和梵语的表演曲目丰富。婆罗多舞现代独奏会形式，以及其音乐作品中重要组成部分，是由19世纪著名的“Tanjore Quartet”-Ponniah、Chinnaiah、Sivanandam和Vadivelu四兄弟创作而成。婆罗多舞是一种由Nrita、抽象舞蹈和Nritya进行叙事的高度进化的艺术语言。
The themes have a wide range spanning human and divine love, and are generally classed under the rubric of shringara (romantic love) and Bhakti (devotion). The music of Bharatanatyam belongs to the Carnatic system of southern India. The musicians accompanying a dance recital include at least one vocalist, a Mridangam (drum)-player, and a flutist or violinist or Veena (lute)-player. The group also includes a Nattuvanar, or dance conductor, who recites the dance syllables as he plays a pair of small bronze cymbals.
这些主题涵盖了人类和神灵的爱，通常被归为shringara（浪漫的爱）和Bhakti（奉献）两类。婆罗多舞的音乐属于印度南部的Carnatic流派。参加舞蹈独奏会的音乐家包括至少一名声乐家、一名Mridangam（鼓）演奏家、一位长笛演奏家、小提琴演奏家或Veena（琉特琴 ）演奏家。该小组还包括一名Nattuvanar，或者舞蹈指挥家，一边演奏一对小铜钹一边背诵舞蹈音节。
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