#2020诺贝尔奖# 2020医学诺奖得主Harvey Alter教授在苦寻不到神秘肝炎背后的病毒时，于1988年写下的一首诗。医生要是浪漫起来，丙型肝炎都能写成诗~
“I Can't See the Forest for the HBsAgs”:
I think that I shall never see
This virus called non‐A, non‐B
A virus I cannot deliver
And yet I know it's in the liver
A virus that we often blame,
But which exists alone by name
No antigen or DNA
No little test to mark its way.
A virus which in our confusion
Has forced us into mass collusion
To make exist just by exclusion
But is it real or an illusion?
Oh GREAT LIVER in the sky,
Show us where and tell us why
Send us thoughts that will inspire us
Let us see this elusive virus
If we don't publish soon,
They're going to fire us!
“I Can't See the Forest for the HBsAgs”:
I think that I shall never see
This virus called non‐A, non‐B
A virus I cannot deliver
And yet I know it's in the liver
A virus that we often blame,
But which exists alone by name
No antigen or DNA
No little test to mark its way.
A virus which in our confusion
Has forced us into mass collusion
To make exist just by exclusion
But is it real or an illusion?
Oh GREAT LIVER in the sky,
Show us where and tell us why
Send us thoughts that will inspire us
Let us see this elusive virus
If we don't publish soon,
They're going to fire us!
我找不到一个准确的答案，找不到一个稳定的爱情，所以我一直都在等待。
知道这样的等待需要非重大的实际可数，还是愿意朝着那个方向努力。
I can't find an accurate answer, I can't find a stable love, so I've been waiting.
Knowing that such a wait requires a non-significant practical count, or is willing to work in that direction.
知道这样的等待需要非重大的实际可数，还是愿意朝着那个方向努力。
I can't find an accurate answer, I can't find a stable love, so I've been waiting.
Knowing that such a wait requires a non-significant practical count, or is willing to work in that direction.
Frohawk Two Feathers is the first solo exhibition of work by storyteller, visual artist, poet, and musician the Los Angeles-based artist Umar Rashid, which features some new works and old works that first appeared in a non-institutional environment are selected among them. This is an ongoing project that the artist started in 2003.
In the past seventeen years, the artist has documented the complex, historical and situational legends of a fictional world superpower, the Frenglish Empire between 1658 and 1880, the French ruled an area across the entire continent, including autonomous regions, protected areas, and colonies, including England, France, Turkey, India, the Caribbean, and Australia. In the multilingual and multiracial world of the mid-17th and late 19th centuries, Rashid collapsed the dichotomy of race, class, gender, religion, sexual orientation, and power in time, geography, and real life.
His portrait works integrate comedy culture, African cosmology, Egyptology, classical mythology, American Indian ledger art, hip-hop, Persian miniatures, African futurism, magnificent historical paintings and Renaissance portraits. In the process of blending countless histories-Rashid provides some revisionist, forensic and usually humorous panoramas of early and late modern times, including but not limited to some esoteric histories of Western Europe, Africa and the Ottoman Empire. His work challenges the legacy and linearity of empire history and colonial historiography, and their influence on the construction of modernity.
・・・
#FrohawkTwoFeathers##UmarRashid##艺术[超话]#
In the past seventeen years, the artist has documented the complex, historical and situational legends of a fictional world superpower, the Frenglish Empire between 1658 and 1880, the French ruled an area across the entire continent, including autonomous regions, protected areas, and colonies, including England, France, Turkey, India, the Caribbean, and Australia. In the multilingual and multiracial world of the mid-17th and late 19th centuries, Rashid collapsed the dichotomy of race, class, gender, religion, sexual orientation, and power in time, geography, and real life.
His portrait works integrate comedy culture, African cosmology, Egyptology, classical mythology, American Indian ledger art, hip-hop, Persian miniatures, African futurism, magnificent historical paintings and Renaissance portraits. In the process of blending countless histories-Rashid provides some revisionist, forensic and usually humorous panoramas of early and late modern times, including but not limited to some esoteric histories of Western Europe, Africa and the Ottoman Empire. His work challenges the legacy and linearity of empire history and colonial historiography, and their influence on the construction of modernity.
・・・
#FrohawkTwoFeathers##UmarRashid##艺术[超话]#
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