今天看了两部悬疑片，遗传厄运和此房是我造。遗传厄运除了是部恐怖片外，里面还有许多关于神秘学和魔鬼学的知识，也算是知道西方第一邪神了。此房是我造里面包含太多导演对艺术，美学，宗教等的解读，虽然我不认可，我不喜欢毁灭之美，我还是喜欢饱含爱意的美和艺术，但是他所表达的也确实是部分真实。我这阵子最痛苦的点和导演表达的一个观点一样：坏人不是总被惩罚。人生太多无奈，我还是希望恶有恶果。尽管我知道：God's in his heaven All's right with the world.
有时是你自己该去do sth[微笑][喵喵][doge]

All's well that ends well. Best of luck for me. Hope I could stop caring my actions seemed in the eyes of another, which will hurt, ultimately. And extend my zone of courtesy to every individual I cross paths. I'm still waiting to be at liberty of getting rid of the mercy of being tremendously restricted. Long and rough way.

关于春天的早晨，英国诗人罗伯特·白朗宁（Robert Browning）在一个剧本（Pippa Passes，1841）里写过一首诗，曰：

The year's at the spring,
And day's at the morn;
Morning's at seven;
The hill-side's dew-pearl'd;
The lark's on the wing;
The snail's on the thorn;
God's in His Heaven—
All's right with the world!

此诗每行五个音节，后四行和前四行隔句依次遥相押韵。以前我也曾试着翻译了一下，稍微留意了每行汉译字数的整齐，只能做到偶尔押韵而已。拙译曰：

一年正好在春天，
一天正好在清晨；
清晨正好在七点；
露珠在山；
飞鸟在云；
蜗牛在壳；
神明在天——
世间万物，
莫不静好！

己亥之春2019年2月19日听雨斋主人吴泼识并书。[鲜花] https://t.cn/R2WxTmZ