#世界最美的书# #书籍设计# #编辑设计#
2019年世界最美书 荣誉奖：《El Lissitzky》
国家/地区：俄罗斯
作者：Tatyana Goryacheva, Ruth Addison, Ekaterina Allenova
设计: Evgeny Korneev 印刷: August Borg, Moscow
出版: Tretyakov Gallery, Jewish Museum and Tolerance Center, Artguide Editions
ISBN: 978-5905110-89-4
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The mounted covers mutate into the wings of a constructivist folding object, creating protruding edges with the width of a finger. Standing vertically, they hold the square innerbook — suspended from the side, as it were. El Lissitzky — the short title is turned into a typographical image on the white, shining laminated board cover, with the “E” flush at the top with the red spine lining, the “l” running into the top edge, and the lettering of Lissitzky flush with the bottom edge of the innerbook. The typical elements of the monospaced font that is reminiscent of typewriting — the linear style, the extra-bold dots on the “i”s, the special sweep of the little “t” — touch on elementary design principles of the Russian avant-garde in the 1920s. Inside this exhibition catalogue, six columns form the typographical framework of the double pages. Every second column contains the main text, interspaced with comments or pictures and captions. The combination of fonts aims to produce contrasts — an extended grotesque, for the distinctions a fine italic with sh, st and ct ligatures, and for the chapter headings the said monospaced font. Justification in the narrow columns looks remarkably compact; there seem to be fewer gaps than would be expected from this wide font. The white sections on the front edge colouring mark the chapters, with only the relevant pages blackened along their paper edges. The technical expertise necessary for such tricky edge colouring remains a mystery.
2019年世界最美书 荣誉奖：《El Lissitzky》
国家/地区：俄罗斯
作者：Tatyana Goryacheva, Ruth Addison, Ekaterina Allenova
设计: Evgeny Korneev 印刷: August Borg, Moscow
出版: Tretyakov Gallery, Jewish Museum and Tolerance Center, Artguide Editions
ISBN: 978-5905110-89-4
–
The mounted covers mutate into the wings of a constructivist folding object, creating protruding edges with the width of a finger. Standing vertically, they hold the square innerbook — suspended from the side, as it were. El Lissitzky — the short title is turned into a typographical image on the white, shining laminated board cover, with the “E” flush at the top with the red spine lining, the “l” running into the top edge, and the lettering of Lissitzky flush with the bottom edge of the innerbook. The typical elements of the monospaced font that is reminiscent of typewriting — the linear style, the extra-bold dots on the “i”s, the special sweep of the little “t” — touch on elementary design principles of the Russian avant-garde in the 1920s. Inside this exhibition catalogue, six columns form the typographical framework of the double pages. Every second column contains the main text, interspaced with comments or pictures and captions. The combination of fonts aims to produce contrasts — an extended grotesque, for the distinctions a fine italic with sh, st and ct ligatures, and for the chapter headings the said monospaced font. Justification in the narrow columns looks remarkably compact; there seem to be fewer gaps than would be expected from this wide font. The white sections on the front edge colouring mark the chapters, with only the relevant pages blackened along their paper edges. The technical expertise necessary for such tricky edge colouring remains a mystery.
哈哈哈哈，Nasa送给德约的生日礼物，网页版微博总是会把单引号搞成一堆乱码，以至于这条微博我发了至少五遍：
On May 22 in 1995
Saturn
This image shows Saturn as the planets magnificent ring system appeared edge-on to Earth. This alignment occurs about every 15 years when Earth passes through the plane of Saturn's rings. The bright dots to the left of Saturn are some of the planets moons.
On May 22 in 1995
Saturn
This image shows Saturn as the planets magnificent ring system appeared edge-on to Earth. This alignment occurs about every 15 years when Earth passes through the plane of Saturn's rings. The bright dots to the left of Saturn are some of the planets moons.
#CoverArtProject#
2019年度最佳插画家：María Medem
对于插画师Maria Medem而言，2019是异常忙碌的一年，除了与杂志媒体合作外，她还为四支乐队创作了风格统一的封面艺术作品。 Jay Som的《Anak Ko》、Bombay Bicycle Club的《Eat、Sleep、Wake(Nothing But You)》、ALASKALASKA 的《The Dots》还有《Dead Calmby The Boys With The Perpetual Nervousness》。落日似乎是Maria Medem永恒的主题，一切鲜活时刻向生、向死，都在此刻获得永恒的力量。
从今天开始一起回顾2019年优秀的唱片艺术设计，完整文章：https://t.cn/A6hGcC5U
2019年度最佳插画家：María Medem
对于插画师Maria Medem而言，2019是异常忙碌的一年，除了与杂志媒体合作外，她还为四支乐队创作了风格统一的封面艺术作品。 Jay Som的《Anak Ko》、Bombay Bicycle Club的《Eat、Sleep、Wake(Nothing But You)》、ALASKALASKA 的《The Dots》还有《Dead Calmby The Boys With The Perpetual Nervousness》。落日似乎是Maria Medem永恒的主题，一切鲜活时刻向生、向死，都在此刻获得永恒的力量。
从今天开始一起回顾2019年优秀的唱片艺术设计，完整文章：https://t.cn/A6hGcC5U
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