Mikhail Pletnev, Russian National Orchestra
Mikhail Pletnev - Tchaikovsky: The Symphonies (24-96)
2019
Peter Ilyich Tchaikovsky
01 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': I. Daydreams on a Winter Journey. Allegro tranquillo
02 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': II. Land of Gloom, Land of Mist. Adagio cantabile ma non tanto
03 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': III. Scherzo. Allegro scherzando giocoso
04 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': V. Finale. Andante lugubre - Allegro maestoso
05 Symphony No. 2 in C minor, Op. 17 'Little Russian': I. Andante sostenuto - Allegro vivo
06 Symphony No. 2 in C minor, Op. 17 'Little Russian': II. Andante marziale, quasi moderato
07 Symphony No. 2 in C minor, Op. 17 'Little Russian': III. Scherzo. Allegro molto vivace
08 Symphony No. 2 in C minor, Op. 17 'Little Russian': IV. Finale. Moderato assai - Allegro vivo
09 Symphony No. 2 in C minor, Op. 17 'Little Russian': I. Andante sostenuto - Allegro comodo
10 Symphony No. 3 in D major, Op. 29 'Polish': I. Moderato assai - Allegro brillante
11 Symphony No. 3 in D major, Op. 29 'Polish': II. Allegro moderato e semplice
12 Symphony No. 3 in D major, Op. 29 'Polish': III. Andante elegiaco
13 Symphony No. 3 in D major, Op. 29 'Polish': IV. Scherzo. Allegro vivo
14 Symphony No. 3 in D major, Op. 29 'Polish': V. Finale. Allegro con fuoco
15 Marche Slave, Op. 31
16 Francesca da Rimini, Op. 32
17 Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto - Moderato con anima
18 Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona
19 Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato - Allegro
20 Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco
21 Romeo & Juliet, TH 42
22 Capriccio Italien, Op. 45
23 Coronation March in D major, TH 50
24 Manfred Symphony in B minor, Op. 58: I. Lento lugubre - Moderato con moto
25 Manfred Symphony in B minor, Op. 58: II. Vivace con spirito
26 Manfred Symphony in B minor, Op. 58: III. Andante con moto
27 Manfred Symphony in B minor, Op. 58: IV. Allegro con fuoco
28 Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima
29 Symphony No. 5 in E minor, Op. 64: II. Andante cantabile con alcuna licenza
30 Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
31 Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso - Allegro vivace
32 Symphony No. 6 in B minor, Op. 74 'Pathétique': I. Adagio - Allegro non troppo
33 Symphony No. 6 in B minor, Op. 74 'Pathétique': II. Allegro con grazia
34 Symphony No. 6 in B minor, Op. 74 'Pathétique': III. Allegro molto vivace
35 Symphony No. 6 in B minor, Op. 74 'Pathétique': IV. Finale. Adagio lamentoso
Mikhail Pletnev - Tchaikovsky: The Symphonies (24-96)
2019
Peter Ilyich Tchaikovsky
01 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': I. Daydreams on a Winter Journey. Allegro tranquillo
02 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': II. Land of Gloom, Land of Mist. Adagio cantabile ma non tanto
03 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': III. Scherzo. Allegro scherzando giocoso
04 Symphony No. 1 in G minor, Op. 13 'Winter Daydreams': V. Finale. Andante lugubre - Allegro maestoso
05 Symphony No. 2 in C minor, Op. 17 'Little Russian': I. Andante sostenuto - Allegro vivo
06 Symphony No. 2 in C minor, Op. 17 'Little Russian': II. Andante marziale, quasi moderato
07 Symphony No. 2 in C minor, Op. 17 'Little Russian': III. Scherzo. Allegro molto vivace
08 Symphony No. 2 in C minor, Op. 17 'Little Russian': IV. Finale. Moderato assai - Allegro vivo
09 Symphony No. 2 in C minor, Op. 17 'Little Russian': I. Andante sostenuto - Allegro comodo
10 Symphony No. 3 in D major, Op. 29 'Polish': I. Moderato assai - Allegro brillante
11 Symphony No. 3 in D major, Op. 29 'Polish': II. Allegro moderato e semplice
12 Symphony No. 3 in D major, Op. 29 'Polish': III. Andante elegiaco
13 Symphony No. 3 in D major, Op. 29 'Polish': IV. Scherzo. Allegro vivo
14 Symphony No. 3 in D major, Op. 29 'Polish': V. Finale. Allegro con fuoco
15 Marche Slave, Op. 31
16 Francesca da Rimini, Op. 32
17 Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto - Moderato con anima
18 Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona
19 Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato - Allegro
20 Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco
21 Romeo & Juliet, TH 42
22 Capriccio Italien, Op. 45
23 Coronation March in D major, TH 50
24 Manfred Symphony in B minor, Op. 58: I. Lento lugubre - Moderato con moto
25 Manfred Symphony in B minor, Op. 58: II. Vivace con spirito
26 Manfred Symphony in B minor, Op. 58: III. Andante con moto
27 Manfred Symphony in B minor, Op. 58: IV. Allegro con fuoco
28 Symphony No. 5 in E minor, Op. 64: I. Andante - Allegro con anima
29 Symphony No. 5 in E minor, Op. 64: II. Andante cantabile con alcuna licenza
30 Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato
31 Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso - Allegro vivace
32 Symphony No. 6 in B minor, Op. 74 'Pathétique': I. Adagio - Allegro non troppo
33 Symphony No. 6 in B minor, Op. 74 'Pathétique': II. Allegro con grazia
34 Symphony No. 6 in B minor, Op. 74 'Pathétique': III. Allegro molto vivace
35 Symphony No. 6 in B minor, Op. 74 'Pathétique': IV. Finale. Adagio lamentoso
很喜欢小月亮这个昵称,脑子里不自觉地想到了《Ti Amero》这首歌,流行和美声唱法混在一起深情又感动。
Continuerò a credere che
我仍然坚信
Siamo un'anima io e te
你与我的灵魂是一体的
E ti amerò comunque lo so
我知道无论怎样,我将爱你
Anche se non sei con me
即使我们生死两隔
Io ti amerò
我将爱你
Continuerò a credere che
我仍然坚信
Siamo un'anima io e te
你与我的灵魂是一体的
E ti amerò comunque lo so
我知道无论怎样,我将爱你
Anche se non sei con me
即使我们生死两隔
Io ti amerò
我将爱你
笛卡尔在《沉思录》中开创了对灵魂的现代阐释之路,这一点已得到普遍承认。在笛卡尔的所有学说中,他对灵魂的说法最少受到检审。
造成这种忽视的一个原因是,笛卡尔造成的一些重要改变已经被——甚至被他的批评者——视作理所当然。苏格拉底、柏拉图、亚里士多德和中世纪占统治地位的前现代传统认为,灵魂负责两个功能,或一个功能的两个层面:一是生命或运动,一是意识、辨识或思维。
这种前现代灵魂观对形而上学的分歧显然是中立的:甚至卢克莱修(Lucretius)也认为这两种功能都属于una natura[一个自然],是animus[精神]和anima[灵魂]的结合。灵魂具有两种功能的学说常常与灵魂由几部分组成这一主张结合在一起,这种主张认为,灵魂的各个部分处于统治和服从的不同关系当中。这一主张最著名者可能就来自于柏拉图《王制》的第四卷。
对于笛卡尔来说,灵魂只执行一种功能,它是一个“思维着的东西”(thinking thing)、一个心灵或一种“意识”,除此之外什么都不是;它还是“整一的”(one and single),或者说它不由部分组成。自笛卡尔以后,无论是从形而上学的立场还是从反形而上学的立场,都很难举出有哪位巅峰思想家力求恢复灵魂的这种内在结构,或者力求恢复灵魂最初“有机的”(organic)含义,即让灵魂负责生命和运动以及“世间的”活动。在这些决定性的方面,我们有资格说,现代意义的灵魂自身具有形而上学的中立性(metaphysical neutrality)。从尼采指责“笛卡尔是肤浅的”开始,此种或彼种形式的“笛卡尔主义”最激烈的批评者,往往都没有注意到自己与“笛卡尔主义”的基本一致。
造成这种忽视的一个原因是,笛卡尔造成的一些重要改变已经被——甚至被他的批评者——视作理所当然。苏格拉底、柏拉图、亚里士多德和中世纪占统治地位的前现代传统认为,灵魂负责两个功能,或一个功能的两个层面:一是生命或运动,一是意识、辨识或思维。
这种前现代灵魂观对形而上学的分歧显然是中立的:甚至卢克莱修(Lucretius)也认为这两种功能都属于una natura[一个自然],是animus[精神]和anima[灵魂]的结合。灵魂具有两种功能的学说常常与灵魂由几部分组成这一主张结合在一起,这种主张认为,灵魂的各个部分处于统治和服从的不同关系当中。这一主张最著名者可能就来自于柏拉图《王制》的第四卷。
对于笛卡尔来说,灵魂只执行一种功能,它是一个“思维着的东西”(thinking thing)、一个心灵或一种“意识”,除此之外什么都不是;它还是“整一的”(one and single),或者说它不由部分组成。自笛卡尔以后,无论是从形而上学的立场还是从反形而上学的立场,都很难举出有哪位巅峰思想家力求恢复灵魂的这种内在结构,或者力求恢复灵魂最初“有机的”(organic)含义,即让灵魂负责生命和运动以及“世间的”活动。在这些决定性的方面,我们有资格说,现代意义的灵魂自身具有形而上学的中立性(metaphysical neutrality)。从尼采指责“笛卡尔是肤浅的”开始,此种或彼种形式的“笛卡尔主义”最激烈的批评者,往往都没有注意到自己与“笛卡尔主义”的基本一致。
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