日本水彩
小林徳三郎 Autumn Tints 1910
Terada-Early Morning Beach Scene 1920
Matsuda-Country Farm in Autumn 1920
Aoki-Boats On Lake Near Fuji 1920
Satta-Miyajima Torii and Sailboats 1920
Kenyu-Boat on Lake in Autumn 1920
Keimo-Mt Fuji in Snow 1940
Satta-Riverside Village in Spring 1940
Uehara-Cottage by River Waterfall 1940
小林徳三郎 Autumn Tints 1910
Terada-Early Morning Beach Scene 1920
Matsuda-Country Farm in Autumn 1920
Aoki-Boats On Lake Near Fuji 1920
Satta-Miyajima Torii and Sailboats 1920
Kenyu-Boat on Lake in Autumn 1920
Keimo-Mt Fuji in Snow 1940
Satta-Riverside Village in Spring 1940
Uehara-Cottage by River Waterfall 1940
感受一场色彩的轰炸! 特展《费利克斯·费内翁:无政府主义者和先锋派——从希涅克到马蒂斯》将持续展出至2021年1月2日。
乔治·修拉、保罗·希涅克等受法国收藏家费利克斯·费内翁崇尚的新印象派艺术家们,并不在调色板上混合颜料,而是将一个个纯色的点彼此相连。他们相信前卫艺术在推进更加平等的世界中将发挥巨大的作用,他们希望将彩虹般艳丽的色彩结合起来,会引起观众强烈的情感反应,并鼓励所有人为建立同样和谐的社会而努力。
Paul Signac. "Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890” (detail). 1890. Oil on canvas. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris
Georges-Pierre Seurat. Study for “A Sunday on La Grande Jatte” (detail). 1884. Oil on canvas. The Metropolitan Museum of Art, New York
Giacomo Balla. "Street Light” (detail). c. 1910-11. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / SIAE, Rome
Paul Signac. "Setting Sun. Sardine Fishing. Adagio. Opus 221" (detail). 1891. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris
Henri Matisse. "Landscape near Collioure” (detail). 1905. Oil on canvas. Statens Museum for Kunst, Copenhagen
Georges-Pierre Seurat. “The Channel at Gravelines, Evening” (detail). 1890. Oil on canvas.
Georges-Pierre Seurat. "Model in Profile” (detail). 1886. Oil on wood. Musee d'Orsay, Paris
Paul Signac. “The Demolition Worker” (detail). 1897–99. Oil on canvas. Musée d’Orsay, Paris
A page from “Colors and Their Application to Industrial Arts Using Chromatic Circles.” 1861. Lithograph
乔治·修拉、保罗·希涅克等受法国收藏家费利克斯·费内翁崇尚的新印象派艺术家们,并不在调色板上混合颜料,而是将一个个纯色的点彼此相连。他们相信前卫艺术在推进更加平等的世界中将发挥巨大的作用,他们希望将彩虹般艳丽的色彩结合起来,会引起观众强烈的情感反应,并鼓励所有人为建立同样和谐的社会而努力。
Paul Signac. "Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890” (detail). 1890. Oil on canvas. © 2019 Artists Rights Society (ARS), New York / ADAGP, Paris
Georges-Pierre Seurat. Study for “A Sunday on La Grande Jatte” (detail). 1884. Oil on canvas. The Metropolitan Museum of Art, New York
Giacomo Balla. "Street Light” (detail). c. 1910-11. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / SIAE, Rome
Paul Signac. "Setting Sun. Sardine Fishing. Adagio. Opus 221" (detail). 1891. Oil on canvas. © 2020 Artists Rights Society (ARS), New York / ADAGP, Paris
Henri Matisse. "Landscape near Collioure” (detail). 1905. Oil on canvas. Statens Museum for Kunst, Copenhagen
Georges-Pierre Seurat. “The Channel at Gravelines, Evening” (detail). 1890. Oil on canvas.
Georges-Pierre Seurat. "Model in Profile” (detail). 1886. Oil on wood. Musee d'Orsay, Paris
Paul Signac. “The Demolition Worker” (detail). 1897–99. Oil on canvas. Musée d’Orsay, Paris
A page from “Colors and Their Application to Industrial Arts Using Chromatic Circles.” 1861. Lithograph
⚪️ Beige, a term used for a range of pale brownish or yellowish colors. It is variously described as a pale sandy fawn color, a grayish tan, a light-grayish yellowish brown, or a pale to grayish yellow. It takes its name from the French word for the color of natural wool. It has come to be used to describe a variety of light tints chosen for their neutral or pale warm appearance.
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