哥哥,今天家里过的清明节,看到公公跪在地上通神祖先,隐约听到:我的儿子……我瞬间泪如泉涌,这位善良正直的老人,自从儿子离开后,一直沉默不语,把对子女深沉的爱埋藏在心里,今天为了儿子在另一个世界能有所倚傍,开口祈求祖宗保佑儿子……。哥哥,你一直惧于好爹爹的威严,其实天下那有父母不爱子女的,而且还是那么有孝心、有责任感的你。
哥哥,自你离开,我夜夜难眠,儿子噩梦连连,娘俩心悸不安,今天去医院查了相关项目,问题不大。哥哥,你最大的缺点就是讳疾忌医,让你去一下医院比登天还难,所以一直能忍则忍,最后把命忍没了。
哥哥,你放心吧,我们现在都挺注意自己身体的,有了你的前车之鉴,我们更加珍惜生命了。哥哥,来日方长,正如干儿子所说:干爹换了一种方式在守护我们,干外孙也说:乒乓球阿爹变成天使在天上保护我们。哥哥,你在天上也要时刻牢记在人间没完成的责任啊!等着我们再聚首吧!
哥哥,自你离开,我夜夜难眠,儿子噩梦连连,娘俩心悸不安,今天去医院查了相关项目,问题不大。哥哥,你最大的缺点就是讳疾忌医,让你去一下医院比登天还难,所以一直能忍则忍,最后把命忍没了。
哥哥,你放心吧,我们现在都挺注意自己身体的,有了你的前车之鉴,我们更加珍惜生命了。哥哥,来日方长,正如干儿子所说:干爹换了一种方式在守护我们,干外孙也说:乒乓球阿爹变成天使在天上保护我们。哥哥,你在天上也要时刻牢记在人间没完成的责任啊!等着我们再聚首吧!
看转此经,功德殊胜 :#《太一救苦护身妙经》#
太一救苦护身妙经
尔时,元始天尊在玄景之上清微天中九色玉堂,升七宝座,放大光明,普集万灵,与天教化。十方天尊、道君、老君、帝君、元君、丈人、圣人,万万仙众,俱来诣座,听宣妙法。於是梵王称善,帝释欣歌,仙乐自响,随光而至。是时太上老君身离玉座,步蹑莲花,真人侍於左右,玉女扶於曳裾,至天尊前,奏曰:臣等蒙师开化,受福天堂,施功无极,恩不可量。臣观三界之中、苦海之内,无量众生,横遭厄难,罪网牵缠,异类群情,难逃生化。臣不可住於太清,欲仗威光,分身三界,救度群情。惟望至尊,观心慈欲。
於是元始天尊微起法身,告老君曰:善哉善哉。汝离玉座,惊怖万天,救苦救生,不须汝言。可还座中,吾为宣说。
天尊曰:万物吾生,万灵吾化。遭苦遭厄,当须救之。不须汝威力化身救度。此东方长乐世界有大慈仁者,太一救苦天尊,化身如恒沙数,物随声应,或住天宫,或降人间,或居地狱,或摄群邪,或为仙童玉女,或为帝君圣人,或为天尊真人,或为金刚神王,或为魔王力士,或为天师道士,或为皇人老君,或为天医功曹,或为男子女子,或为文武官宰,或为都大元帅,或为教师禅师,或为风师雨师,神通无量,功行无穷,寻声救苦,应物随机,今告汝知。
老君重奏曰:此之威神,有无量变化,如何得至我师御前。
天尊告老君曰:汝可举声唱太一之名,使仙官齐咏,自然应化现身。
於是老君众仙等,遵其教旨,齐声称咏太一救苦天尊之名。忽见帝君班中有童子一人,步步蹑於莲花,稽首至天尊前奏曰:臣乃太一,为我师开化说法。臣集相聚形,听宣妙音,天中快乐一时,地下动经万劫,三界之中,群生受苦,高声叫唤,苦哉苦哉。旋绕天尊,礼拜俯伏,乞下天关。於是众仙见童子奏对泣泪滴衣,哽噎叹言。天上快乐,地下受灾,轮回报对,何时清闲。
天尊告太一曰:汝行愿慈悲,众生受苦。依汝行愿,分身救之。童子喜笑,再拜而退。众仙观见童子化一天尊,足蹑莲花,圆光照耀,手执柳枝净水,九头狮子左右从随,乘空而去。又见天尊化一帝君,足蹑莲花,手执如意,圆光照耀,九头狮子左右从随,乘空而去。又见帝君化一真人,足蹑莲花,手放神光,上通九天,下通九地,九头狮子左右从随,乘空而去。又见真人化一女子,身着火锦衬衣,披发跣足,蹑於莲花,手执金剑,圆光照耀,九头狮子,口吐火焰,绕於身形,乘空而去。
老君奏天尊曰:此圣威德,变化救生,从何而有,甚劫修行,惟愿应机,为众宣说。
天尊曰:此圣在天呼为太一福神,在世呼为大慈仁者,在地狱呼为日耀帝君,在外道摄邪,呼为狮子明王,在水府呼为洞渊帝君。汝是吾之气,吾是汝之根,汝知吾知,此是九阳之精,甚灵甚灵。汝可秘之,不可尽述。是时老君闻天尊言,闭目定神,弹指叩头,咒曰:
元元之祖气,妙化九阳精。威德布十方,恍恍现其真。三九扬风出,徘徊离始青。恭敬生琼液,奉之免渴饥。万灵当信礼,八苦不能随。积行持科戒,提携证玉京。
尔时,天尊重告老君及诸仙曰:若有众生,时遭疾疫,病痛缠绵,可以焚香念诵圣号,看转此经,疾患退散,克获安宁。若有众生求官觅职,奸佞妄生,但当念诵圣号,看转此经,自然嫉妬不生,高迁禄秩。若有众生泛涉江海,波浪所惊,鱼龙欲伤,可以存思念诵圣号,便得达岸,无有害伤。若有众生值雷霹雳,风雨惊怖,但当存思念诵圣号,神气爽清,魂魄不动。若有众生父母师资,六亲不和,兄弟乖疏,但当存思念诵圣号,看转此经,自感六亲和睦,父慈子孝,兄友弟恭。若有帝王国主,朝生叛臣,兵火作乱,风雨不调,万民涂炭,怨地尤天,但当持斋念,看转此经,风雨便得顺时,叛臣败露,国泰民安。若有众生为邪精鬼贼,妄来所伤,但当存思念诵圣号,妖魅自止,鬼贼灭亡。若有众生山林往来,被虫蛇禽兽奔夺所伤,但当存思念诵圣号,禽虫自退,不敢来害。若有女人怀受胎孕,临产艰难,但当存思念诵圣号,自感真气佑护,无痛无伤,便生智慧之男,有相之女,六根具足,母子团圆。若有男子女子慕道求仙,在家出家,养性养命,但当存思念诵圣号,看转此经,便得功行圆满,白日升天。若有众生频遭枷锁牢狱之中,呻吟难诉,但当存思念诵圣号,便得解脱,出离囹圄。若有众生为七祖九先、门人同学、夫妻男女身殁之后,流滞寒庭,未得托生,但当存思念诵圣号,自然出离阴境,便得生天。若有众生为冤家牵引,复连相缠,但当存思念诵圣号,冤家解释,后连断除。
於是,天尊告老君曰:此圣最尊最贵,最圣最灵。每月三九日,多降人间。常於净室中,焚香礼拜,柳枝净水,时花药苗,如法供养,自然寿满一百二十,五福常臻,八难远离。切忌灶下灰烬,石榴秽物,此为不洁,勿令触之。
尔时,天尊说经毕竟,大会之中群仙唱善。狮子能语,凤凰能言,鱼龙成人,枯朽还生,蠢动含情,福资皆徧。巍巍堂堂,皆得升仙。於是道君、老君、无量众真,同声赞叹:今闻妙音,大获利益。奉辞而退。
#涨知识##传统文化##护身咒# https://t.cn/RTv4Kyo
太一救苦护身妙经
尔时,元始天尊在玄景之上清微天中九色玉堂,升七宝座,放大光明,普集万灵,与天教化。十方天尊、道君、老君、帝君、元君、丈人、圣人,万万仙众,俱来诣座,听宣妙法。於是梵王称善,帝释欣歌,仙乐自响,随光而至。是时太上老君身离玉座,步蹑莲花,真人侍於左右,玉女扶於曳裾,至天尊前,奏曰:臣等蒙师开化,受福天堂,施功无极,恩不可量。臣观三界之中、苦海之内,无量众生,横遭厄难,罪网牵缠,异类群情,难逃生化。臣不可住於太清,欲仗威光,分身三界,救度群情。惟望至尊,观心慈欲。
於是元始天尊微起法身,告老君曰:善哉善哉。汝离玉座,惊怖万天,救苦救生,不须汝言。可还座中,吾为宣说。
天尊曰:万物吾生,万灵吾化。遭苦遭厄,当须救之。不须汝威力化身救度。此东方长乐世界有大慈仁者,太一救苦天尊,化身如恒沙数,物随声应,或住天宫,或降人间,或居地狱,或摄群邪,或为仙童玉女,或为帝君圣人,或为天尊真人,或为金刚神王,或为魔王力士,或为天师道士,或为皇人老君,或为天医功曹,或为男子女子,或为文武官宰,或为都大元帅,或为教师禅师,或为风师雨师,神通无量,功行无穷,寻声救苦,应物随机,今告汝知。
老君重奏曰:此之威神,有无量变化,如何得至我师御前。
天尊告老君曰:汝可举声唱太一之名,使仙官齐咏,自然应化现身。
於是老君众仙等,遵其教旨,齐声称咏太一救苦天尊之名。忽见帝君班中有童子一人,步步蹑於莲花,稽首至天尊前奏曰:臣乃太一,为我师开化说法。臣集相聚形,听宣妙音,天中快乐一时,地下动经万劫,三界之中,群生受苦,高声叫唤,苦哉苦哉。旋绕天尊,礼拜俯伏,乞下天关。於是众仙见童子奏对泣泪滴衣,哽噎叹言。天上快乐,地下受灾,轮回报对,何时清闲。
天尊告太一曰:汝行愿慈悲,众生受苦。依汝行愿,分身救之。童子喜笑,再拜而退。众仙观见童子化一天尊,足蹑莲花,圆光照耀,手执柳枝净水,九头狮子左右从随,乘空而去。又见天尊化一帝君,足蹑莲花,手执如意,圆光照耀,九头狮子左右从随,乘空而去。又见帝君化一真人,足蹑莲花,手放神光,上通九天,下通九地,九头狮子左右从随,乘空而去。又见真人化一女子,身着火锦衬衣,披发跣足,蹑於莲花,手执金剑,圆光照耀,九头狮子,口吐火焰,绕於身形,乘空而去。
老君奏天尊曰:此圣威德,变化救生,从何而有,甚劫修行,惟愿应机,为众宣说。
天尊曰:此圣在天呼为太一福神,在世呼为大慈仁者,在地狱呼为日耀帝君,在外道摄邪,呼为狮子明王,在水府呼为洞渊帝君。汝是吾之气,吾是汝之根,汝知吾知,此是九阳之精,甚灵甚灵。汝可秘之,不可尽述。是时老君闻天尊言,闭目定神,弹指叩头,咒曰:
元元之祖气,妙化九阳精。威德布十方,恍恍现其真。三九扬风出,徘徊离始青。恭敬生琼液,奉之免渴饥。万灵当信礼,八苦不能随。积行持科戒,提携证玉京。
尔时,天尊重告老君及诸仙曰:若有众生,时遭疾疫,病痛缠绵,可以焚香念诵圣号,看转此经,疾患退散,克获安宁。若有众生求官觅职,奸佞妄生,但当念诵圣号,看转此经,自然嫉妬不生,高迁禄秩。若有众生泛涉江海,波浪所惊,鱼龙欲伤,可以存思念诵圣号,便得达岸,无有害伤。若有众生值雷霹雳,风雨惊怖,但当存思念诵圣号,神气爽清,魂魄不动。若有众生父母师资,六亲不和,兄弟乖疏,但当存思念诵圣号,看转此经,自感六亲和睦,父慈子孝,兄友弟恭。若有帝王国主,朝生叛臣,兵火作乱,风雨不调,万民涂炭,怨地尤天,但当持斋念,看转此经,风雨便得顺时,叛臣败露,国泰民安。若有众生为邪精鬼贼,妄来所伤,但当存思念诵圣号,妖魅自止,鬼贼灭亡。若有众生山林往来,被虫蛇禽兽奔夺所伤,但当存思念诵圣号,禽虫自退,不敢来害。若有女人怀受胎孕,临产艰难,但当存思念诵圣号,自感真气佑护,无痛无伤,便生智慧之男,有相之女,六根具足,母子团圆。若有男子女子慕道求仙,在家出家,养性养命,但当存思念诵圣号,看转此经,便得功行圆满,白日升天。若有众生频遭枷锁牢狱之中,呻吟难诉,但当存思念诵圣号,便得解脱,出离囹圄。若有众生为七祖九先、门人同学、夫妻男女身殁之后,流滞寒庭,未得托生,但当存思念诵圣号,自然出离阴境,便得生天。若有众生为冤家牵引,复连相缠,但当存思念诵圣号,冤家解释,后连断除。
於是,天尊告老君曰:此圣最尊最贵,最圣最灵。每月三九日,多降人间。常於净室中,焚香礼拜,柳枝净水,时花药苗,如法供养,自然寿满一百二十,五福常臻,八难远离。切忌灶下灰烬,石榴秽物,此为不洁,勿令触之。
尔时,天尊说经毕竟,大会之中群仙唱善。狮子能语,凤凰能言,鱼龙成人,枯朽还生,蠢动含情,福资皆徧。巍巍堂堂,皆得升仙。於是道君、老君、无量众真,同声赞叹:今闻妙音,大获利益。奉辞而退。
#涨知识##传统文化##护身咒# https://t.cn/RTv4Kyo
#双语阅读#【古文里的高级审美词汇,怎样翻译成英文?】品佳作,赞盛景,本想脱口而出,奈何词穷无言。中华文化广而博,这里整理了一些古文中高级审美词汇表达,学起来吧!
1.洗炼 Terseness / Make Writing Succinct
精简词句,提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净,不炼不纯。惟陈言之务去,独戛戛乎生新。(孙联奎《诗品臆说》)
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄,元气未分为浑。(杨廷芝《 <二十四诗品> 浅解》)
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道,惟神是守。守而勿失,与神为一。 (《庄子·刻意》)
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情,又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐,状溢目前曰秀。 (张戒《岁寒堂诗话》卷上引刘勰语)
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸,太白不能为子美之沉郁。 (严羽《沧浪诗话·诗评》)
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练,重在传达神韵,具有空灵特点的作品澄澈透明、飘逸灵动,能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵,今人布置一角已见繁缛。(恽格《南田画跋·题画》)
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄,而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法,旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容,创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者,谓其外枯而中膏,似淡而实美,渊明、子厚之流是也。(苏轼《评韩柳诗》)
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代,万趣融其神思,余复何为哉?畅神而已。(宗炳《画山水序》)
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴,高雅简古。用于文艺批评,主要指文艺作品中所体现出的意蕴高远古朴、情志高雅,凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文,存于今者,无不高古浑朴。(章学诚《文史通义·内篇五·妇学篇书后》)
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称,也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域,指艺术作品所呈现出的风格与气概,内涵偏重于宏伟壮大,多用“雄浑”(heroic)“浑厚”(immense)“峥嵘”(sublime)等来修饰。
▌引例
盛唐诸公之诗,如颜鲁公书,既笔力雄壮,又气象浑厚。(严羽《答出继叔临安吴景仙书》)
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.(内容来源于中国日报网英语点津)
1.洗炼 Terseness / Make Writing Succinct
精简词句,提炼要义。洗炼是一种文字干净、主旨鲜明的文学风格。
This term means that wording should be refined to highlight the essential message. Terseness is a mark of neat and thematically explicit writing.
▌引例
不洗不净,不炼不纯。惟陈言之务去,独戛戛乎生新。(孙联奎《诗品臆说》)
Nothing will be clean until it is cleansed. Nothing will be pure until it is refined. Only by ridding ourselves of any banality, can we become truly original.
2.雄浑 Powerfulness
指雄健有力、浑厚自然的艺术风格与审美气象。
This term, which literally means power and splendor, refers to a natural and powerful artistic style and aesthetic taste.
▌引例
大力无敌为雄,元气未分为浑。(杨廷芝《 <二十四诗品> 浅解》)
Powerfulness means invincible power and indivisible mass of vital energy.
3.纯素 Pure and Unadorned
纯粹而素朴。指纯然素朴、不加人工雕饰的本色之美。
This term refers to natural, unadorned beauty.
▌引例
纯素之道,惟神是守。守而勿失,与神为一。 (《庄子·刻意》)
Within spiritual being lies the value of pure simplicity. If you retain your spirit without fail, you became one with it.
4.隐秀 Latent Sentiment and Evident Beauty
诗歌与文章既隐含丰富的思想感情,又有秀美的名言佳句。
This term means that prose and poetry may contain latent sentiments and thoughts, as well as expressions and sentences that present an apparent sense of beauty.
▌引例
情在词外曰隐,状溢目前曰秀。 (张戒《岁寒堂诗话》卷上引刘勰语)
Latency happens when feelings and thoughts are hidden between the lines of a literary work. Evident beauty occurs when messages of sentiment and feelings are vividly portrayed by the images the author creates.
5.飘逸 Natural Grace
指诗歌作品中所表现出的逍遥自适、超凡脱俗、无拘无束的审美情趣和艺术风格。
Natural Grace refers to free and unconstrained aesthetic style and artistic appeal in poetic works.
▌引例
子美不能为太白之飘逸,太白不能为子美之沉郁。 (严羽《沧浪诗话·诗评》)
Du Fu could not write as freely and unconstrained as Li Bai, while the latter did not possess the style of melancholy and profoundness typical of Du Fu’s poems.
6.空灵 Ethereal Effect
空灵用笔洗练,重在传达神韵,具有空灵特点的作品澄澈透明、飘逸灵动,能使人体悟到自由超脱的审美愉悦。
The notion of ethereal effect values simple layout and economical use of details, seeking to convey character and imagination. Works that make use of ethereal effect convey a wonderful lucidity, and possess openness, freedom, and natural grace. Such works enable viewers to appreciate the aesthetic joy of free imagination.
▌引例
古人用笔极塞实处愈见空灵,今人布置一角已见繁缛。(恽格《南田画跋·题画》)
When painting, classical artists made use of ethereal effect all the more where a dense collection of objects normally was required. However today’s artists no sooner begin to paint than they fill the space with elaborate details.
7.枯淡 Dry Plainness
指诗文作品所呈现的质朴干枯、平和清淡的艺术风格。
This refers to a literary style that appears plain and dry, mild and moderate.
枯淡不是枯涩寡味、平庸浅薄,而是指外表看似干枯平淡、内里丰腴醇厚的一种表现手法,旨在用质朴平淡的语言和描写来表现丰富深刻的思想内容,创造出含蓄深邃、醇厚高远的意境。
▌引例
所贵乎枯淡者,谓其外枯而中膏,似淡而实美,渊明、子厚之流是也。(苏轼《评韩柳诗》)
I value the style of dry plainness because it looks withered and dry outside but is rich inside; it appears plain but is in fact beautiful. Poetry by such writers as Tao Yuanming and Liu Zongyuan is like this.
8.畅神 Free Flow of One's Mind
指精神与自然合一时所达到的自由舒畅的一种审美状态。
The term describes a state of mind one achieves when appreciating an artwork, in which process one's inner feelings interact freely and joyfully with nature.
▌引例
圣贤映于绝代,万趣融其神思,余复何为哉?畅神而已。(宗炳《画山水序》)
As sages of remote past already discovered the philosophical wisdom inherent in nature through imagination and contemplation, what more do I need to do now? All I have to do is relishing the joy when my mind interacts freely with the depicted landscape.
9.高古 Unadorned Antiquity
高远古朴,高雅简古。用于文艺批评,主要指文艺作品中所体现出的意蕴高远古朴、情志高雅,凝重而又深具历史感的艺术风格。
This term describes the quality of loftiness or primitive simplicity, and is used primarily in literary criticism to refer to an ancient nobility, an aspiration or sentiment, or an artistic style of historical gravity.
它有时也指高人雅士独具的一种人格境界。
This term is also used to refer to an elevated state of being attained by noble-minded persons.
▌引例
汉人诗文,存于今者,无不高古浑朴。(章学诚《文史通义·内篇五·妇学篇书后》)
Prose and poetry by Han Dynasty authors, so long as they have survived to this day, all show a lofty adherence to an unadorned antiquity and a charming rusticity.
10.气象 Prevailing Features
原是自然界中景色物候的总称,也指某个时期社会的总体精神风貌。
Qixiang (气象), originally a term about the general state of scenery and physical objects in nature, also refers to the prevailing features of a society in a given period of time.
具体到艺术领域,指艺术作品所呈现出的风格与气概,内涵偏重于宏伟壮大,多用“雄浑”(heroic)“浑厚”(immense)“峥嵘”(sublime)等来修饰。
▌引例
盛唐诸公之诗,如颜鲁公书,既笔力雄壮,又气象浑厚。(严羽《答出继叔临安吴景仙书》)
Works of many poets during the prime of the Tang Dynasty struck readers with their powerful expression, just like the calligraphy of Yan Zhenqing.(内容来源于中国日报网英语点津)
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